Stage Review: “Ain’t Misbehavin'” at the Lyric
A revue of the work of Fats Waller, who seems to have written every great song of the 20's and 30's.
Stage Review: Kathleen Turner in “High” at the Emerson Majestic
Kathleen Turner plays a tough-talking nun, asked by a shady preist to save a drug-addicted street hustler
Stage Review: “Moby Dick” from Gare St Lazare Players Ireland, at ArtsEmerson
Like an old man in a bar, coaxed by the patrons to tell his survival story one more time for the newcomers
Stage Review: “Mabou Mines Dollhouse” at ArtsEmerson
I was shocked, moved, tickled and puzzled by this production. I was never bored.
Stage Review: “Before I Leave You” at the Huntington
Graying Cantabrigians on love, friendship, success, racial identify and Chinese food
Stage Review: “In the Red and Brown Water” at Company One
Yoruban demigods reincarnated in a Louisiana ghetto
Stage Review: The Civilians’ “You Better Sit Down: Tales From My Parents’ Divorce” at ArtsEmerson
Actors tell the stories of their parents' divorces, in their parents' own words--as their parents
Stage Review: “Next Fall” at SpeakEasy Stage Company
Adam can't stand that his lover cares more about God than him. Especially since he doesn't believe in God. In fact, it's worse than that...
Stage Review: “Twelfth Night” staged by Actors’ Shakespeare Project
A fresh take with understated humor and traces of darkness
Stage Review: “The Infernal Comedy: Confessions of a Serial Killer” at ArtsEmerson
John Malkovich is a serial killer, on a book tour, inserted into an opera.
Stage Review: “Big River: The Adventures of Huckleberry Finn” at the Lyric
The quintessential American adventure tale cruises in musical form
Stage Review: “How Much is Enough: Our Values In Question,” The Foundry Theatre at ArtsEmerson
What happens when you skip the whole "play" part of a play and jump right into the talk-back?
Stage Review: “The Gershwins’ Porgy and Bess” at the A.R.T.
See it here before New York gets it!
Stage Review: PigPen Theatre’s “The Mountain Song” at Company One
An Appalachian folk tale with music and puppetry
Stage Review: Propeller’s “Richard III” at the Huntington
Witness the bloody rise, slow maddening and sudden descent of the dictator
Stage Review: Propeller’s “Comedy of Errors” at the Huntington
An all male "Errors" with a mariachi band.
Stage Review: Antony and Cleopatra staged by Actors’ Shakespeare Project
Sexual politics with an emphasis on the latter.
Stage Review: “Sons of the Prophet” at the Huntington
World premier of Stephen Karem's tragicomic, family drama without the parents
Stage Review: Whistler in the Dark’s “The Europeans”
A historical drama with modern style
