In 2020, I joined the Boston Online Film Critics Association (BOFCA). It was a strange year for everyone, and that certainly did not exclude movies. Most, if not all, theaters were closed. In fact, I’m struggling to remember the last time I saw a movie in a theater (probably January or February of 2020). 2020 became the year of streaming, and this was true for critics and audiences alike.

At the end of each calendar year, BOFCA releases a “best of” list. This includes the group’s choices for best film, performers, directors and on. 2020 was my first year voting as part of BOFCA, and with all theaters shut down material was either sent physically (DVDs on my doorstep) or by digital link. As I noted in my roundup of the top films of 2020, more titles were sent to me in the run up to voting than I could ever hope to view.

This nearly doubled in 2021, even with movie theaters back open! No one knows if theaters will ever regain the footing they once held in American life. This is not just because of the pandemic but also because watching from home or laptop or phone is much more convenient. But more convenience has not necessarily made life easier for the film critic.

With cable networks and streaming services, in addition to traditional film studios, there is more material than ever vying for awards and it’s easier than ever to deluge a critic with things to watch. Prior to the 2000s, each year there might be 25 domestic films and a handful of foreign ones film critics could agree were the ones to watch for award consideration, and most of the time the critic would see this at a theater. This year I received close to 200 titles to consider, from all over the world, and I never had to leave my living room to see one.

To be fair, some of these were not true awards material, but a studio like Amazon has money to burn so it cannot only make bad movies (I’m looking at you Coming 2 America and The Tomorrow War), but it can also shower critics with material and swag and hope to get a few votes in so doing.

But even if one removes a few titles from the consideration quiver, this is not the 1980s, with seven movie studios putting out the only films a critic can view. MGM, Universal et al have been joined by HBO and Showtime and smaller distributors such as Neon and A24. And then there are the streamers…Netflix and Apple TV and Disney Plus….and…I could go on.

In one sense it’s a privilege, to be able to see such a variety of choices, but at the same time when people ask me if I have seen a particular film I often chuckle. There isn’t time enough in the year to see all the great (and bad) movies out there, let alone documentaries and television shows .

There are no must sees anymore because there is too much to see. Over 100 million people watched the MASH finale in 1983. Outside of the Superbowl you can’t get that many people to view any film or TV show. It’s probably one of the reasons the country is so divided. We’re not only watching our own news shows, we also are unable to unite around our entertainment.

As for the process of this year’s voting, it was similar to 2020. Beginning in late October, I received a steady diet of streaming links and physical DVDs. The BOFCA voting deadline was December 10th. My goal was to watch a movie per day. I did not achieve this but came close, with over 30 titles viewed in that time period.

As with the year before, the same pressures and incentives regarding what to watch came into play. Should I even bother wasting a day on Coming 2 America? I knew it wouldn’t be good, but I had to see if Randy Watson and Sexual Chocolate would make another appearance (they did, which almost made the whole bad story worthwhile). Netflix again led the charge in swag. A whiskey flask (not filled unfortunately) to get me to watch The Harder They Fall. A bottle of wine (fortunately full) for The Lost Daughter. A coffee table book for The Hand of God. It’s a tactic that works oftentimes because you feel somewhat compelled to watch the film that comes with a shoe box full of goodies.

Despite these temptations, I was able to watch a variety of material. Overall, nothing with a bigger budget (save Dune) impressed me. The smaller, more independent films –many of them foreign—were far stronger.

My top ten films with some honorable mentions are below, followed by a link to the BOFCA website where the group’s top ten movies, as well as awards in all other categories, can be seen.

As with last year, I’m sure I missed some very worthy titles, but such is the landscape of cinema today, even if that cinema is our family room couch.


There is No Evil


Red Rocket


No Sudden Move

The Worst Person in the World


Drive My Car


Being the Ricardos


Wife of a Spy


Riders of Justice


The Hand of God

The Humans

The Power of the Dog



Link to Boston Online Film Critics Association 2021 Film Awards

About The Author

Randy Steinberg has been a Blast film critic since 2011. He has a Master's Degree in Film/Screenwriting from Boston University. He taught screenwriting at BU from 1999-2010. In 2020, he joined the Boston Online Critics Film Association (BOFCA). Randy can be contacted at his website:

7 Responses

  1. Dave Pye

    I’ve only seen 8 of these (selections plus honorable mentions), so have some work to do. The standout in that smaller sample was, for me, “Pig”. “The Humans” also stayed with me for a couple of days after. Excellent list.

    • Randy Steinberg

      Thanks for the comments. Just seeing them now for some reason. There were so many films this year, as I mentioned in the article. I’m still catching up. So for instance, LAMB, out of Iceland, just watched it last week. I don’t know if I’d put it in a top ten, but it was interesting. But you’d have to watch 3 movies per day to fit in everything that is up for “best ofs” now.

  2. Dave Pye

    One more comment… Belfast… didn’t like the soundtrack. At all. Took me *right out of it* for some reason. VM is obviously tied to the location and subject matter, but it just… did… not… work for me. I like VM, not the issue. Square peg in a round hole.

  3. Wicked Mike

    01 The Hand of God (Italy)
    02 Shiva Baby USA)
    03 Drive My Car (Japan)
    04 The Worst Person in the World (Denmark)
    05 C’mon C’mon (USA)
    06 Our Friend (USA)
    07 Belfast (Ireland)
    08 Wheel of Fortune and Fantasy (Japan)
    09 The Father (UK but French director))
    10 History of the Occult (Argentina)
    11 Berlin Alexanderplatz (Germany)
    12 The Mauritanian (USA)
    13 Ninjababy (Norway)
    14 The Lost Daughter (USA set Greece)
    15 Red Rocket (USA)
    16 The Auschwitz Report (Slovakia)
    17 Pieces of a Woman (USA)
    18 Shang-Chi and the Legend of the Ten Rings (USA)
    19 New Order (Mexico)
    20 Nomadland (USA)
    21 Land (USA)
    22 Riders of Justice (Denmark)
    23 Dead Pigs (China)
    24 King Richard (USA)
    25 Little Big Women (Taiwan)
    26 The French Dispatch (USA)
    27 When Hitler Stole Pink Rabbit (Germany)
    28 Sun Children (Iran)
    29 Playground (Belgium)
    30 Taipei Suicide Story (Taiwan)

    Note: I have not seen ‘Memoria’, “Mass’ and ‘A Hero’ which I expect will join my best list.

    Overrated: ‘Green Knight’, ‘Power of the Dog’ and ‘Titane’ (but I loved the director’s previous effort, ‘Raw’).

    • Randy Steinberg

      Thanks for the list. Sorry about the late reply. I’ve seen some but not all of these. I think a few are technically from last year’s award season (New Order, Nomadland) but still very good. I do agree that Green Knight was way over rated. Can’t understand the praise for it. Power of the Dog novel is absolutely brilliant. Movie couldn’t quite capture what it was doing, though I would not say the film was overrated.


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