I’m somewhat enamored with stage monitors that were developed for use in music video games. But I can’t help but wonder — WTF took you guys so long?
Between the Polk Audio Hitmaster, which my friend Big Jim Murray reviewed a few weeks back, and the Altec Lansing Stage-Gig, we have a few good ideas here that have come out several years after Guitar Hero and Rock Band (and about a year after the games hit their maximum popularity).
At its core, the Stage-Gig is a versatile, 40-watt speaker with strong bass response and clear highs. It plugs in via standard Red/White audio plugs, so it works with PlayStation 3, Xbox 360, Wii, and anything else that, you know, makes sound.
It’s only about 1/2 as big as a “real” stage monitor. It’s meant to give you some more realism when you (and hopefully your friends) are making fake music in your living room. You can also string together multiple units for added audio power.
The problem is, and the problem was with the Polk product, is timing. This would have been a fantastic product to showcase at all the music game booths at E3 in 2008.
But as a bonus, both stage monitors we’ve tested are just $100. The Stage-Gig is a great speaker, which will sound fantastic at a party with your iPod or stereo. It even hooks up to your computer if you want it to.
If you already have a great home theater setup, you don’t need the Stage-Gig, but if you’re relying on your television’s speaker, this will make everything sound better.
Blast Factor: The Stage-Gig is a great speaker, if you need a great speaker. While it might be more practical for picnic music than for pretending to be the next great American band, the product does what it says it will do without costing much.
The Altec Lansing Stage-Gig is $99. A sample was given to us by the developer for reviewing purposes.