He’s Han Solo. He’s Indiana Jones. Now, he’s a game developer. Oh Harrison Ford, is there anything you can’t do?

Ford, has teamed up with developer Talkie and Conversation International to create city building sim Ecotopia. So what’s so different about Ecotopia from other city building games currently on Facebook? The focus is not only on building the player’s created city, but doing so in a green way. In fact, the game’s developers say that players will be rewarded with in game incentives for real world green acts (once they’re verified).

“As we work to address the most fundamental issues facing humanity,” says Ford, “I think Ecotopia will help get people involved in a way that is fun, educational, and meaningful.”

Thanks to YouTube, anyone with a digital camera, Internet connection and a modicum of talent can become a filmmaker.

But back in the 1980s, making your own film required perseverance, creativity and a lot of hard work.

Many of today’s aspiring filmmakers would find it hard to beat the work of Chris Strompolos, Eric Zala and Jayson Lamb — three boys from Mississippi who set the precedent for the ultimate homemade movie.

Together, they created a shot by shot remake of the 1981 Indiana Jones film Raiders of the Lost Ark, complete with a rolling boulder, ballsy leading lady and the infamous Nazi face-melting scene.

The trio of 12-year-olds were so inspired by Steven Spielberg’s original film that they designed storyboards, props and costumes and began production on their own adaptation in 1982.

Seven years, $5,000 and three sets of presumably frazzled parents later, their film was complete.

Their version, aptly entitled Raiders of the Lost Ark: An Adaptation, is a heartfelt tribute to Spielberg’s original, made all the more impressive by the obvious amount of effort the lads invested in the project.

Using only household objects and simulated stubble, and conning friends and family into joining the cast and crew, Eric, Chris and Jayson brought the whip-cracking adventures of Indiana Jones to life, albeit with noticeable pubescent voice-breaking.

The adaptation received its first official screening in 2003 at the Alamo Drafthouse Cinema in Texas, more than 22 years after the boys began the pre-production process.

Since then, the film has screened to sold out audiences all over the world and has even gained the approval of Spielberg and George Lucas.

Blast recently caught up with Eric and Chris (now in their 30s), who fessed up about truck stunts, deals with Paramount and meeting the master himself.

In a recent review of George Lucas’ newest box-office hit but critical flop, “Star Wars: The Clone Wars”, I stated that as a writer, director, and creator, Lucas had not really created any new material over the past few years. To back up that statement, I have analyzed Lucas’ creative history with help from the Internet Movie Database.

As a college student at the University of Southern California, Lucas was at his most inventive. Over the course of three years, Lucas created nine short films:

1965 – Look at Life
1966 – 1:42:08: A Man and His Car
1966 – Freiheit
1966 – Herbie
1967 – Electronic Labyrinth THX 1138 4EB
1967 – Anyone Lived in a Pretty How Town
1967 – 6-18-67
1967 – The Emperor
1968 – Filmmaker

Among those was “Electronic Labyrinth THX 1138 4EB,” Lucas got the opportunity to recreate in 1971 as “THX 1138,” his first true film. The plot evolved from an Orwellian-type story of a man identified only as 1138 trying to escape a totalitarian future, to a more involved tale of “1138″ rebelling against his society’s structured rules and, by not taking the drugs used to control their emotions, accidentally impregnating LUH 3417. They get thrown into jail and plan their escape.

Coming only two years later in 1973 was “American Graffiti,” the defining story of its time. Still shown in rock history classes around the country, “American Graffiti” tells the story of two high school students’ last wild night before their first day at college. With its iconic soundtrack featuring the likes of Chuck Berry, The Beach Boys and Buddy Holly, “American Graffiti” is a 70s classic.

And then, on May 25, 1977, “Star Wars” was released. Back then, it wasn’t “Episode IV,” and an entire generation of super nerds had not spent their time ingesting the hundreds of books, videogames, comics, and films that had been spawned from Lucas’ genre-changing film. Back then, it was still just an imaginative political statement. That’s when things began to change.

After creating a follow-up to “American Graffiti” entitled “More American Graffiti,” Lucas made a sequel to his money-making and Oscar-winning Star Wars franchise called “Star Wars V: The Empire Strikes Back” and it was clear with its ridiculous cliff-hanger (“Luke, I am your father”) that there was going to be at least one more film in the series. But with “Star Wars IV: A New Hope” being only the fourth episode, Lucas had left himself open to create episodes one through three, and also a hypothetical seven through nine taking place after the events of “Return of the Jedi.”

At the same time, in 1981, Lucas’ good friend Steven Spielberg asked him if he wanted to team up with him and create the franchise that eventually became the Indiana Jones series (named Indiana after Lucas’ own dog). “Raiders of the Lost Ark” was followed by “Temple of Doom” in 1984 and (seemingly) concluded with “The Last Crusade” in 1989.

A promising start to a successful career.

So what happened between then and now? Sure, Lucas’ has had continued success, and has never had to scrape pennies together from his couch in Skywalker Ranch, but still, there is a certain quality drop in the films being produced. At first, George Lucas was creating some of the most important films of our time with important political statements that showed his range of creativity. But “Star Wars” stopped him. At age 33, Lucas hit his peak.

Since 1977, Lucas has worked on 13 “Star Wars” features, five “Star Wars” TV shows, 16 “Indiana Jones” features, and one “Indiana Jones” TV show. That doesn’t include the countless spin-off novels, novelizations, video games and comic books.

And he’s only worked on three other projects.

Of those three (“Captain EO” in 1986, “Willow” in 1988, and “Radioland Murders” in 1994), only “Willow” made a splash big enough to be reminisced about today. Lucas created nine individual projects over three years in college. He’s created seven individual projects over 37 years in his professional career.

Please, Lucas, we beg you: something new! Give us something powerful along the lines of “American Graffiti” or “THX 1138″. Give us something to redefine our generation by like “Star Wars” or “Indiana Jones” did in the past.

Just please, please, please stop giving us the same old shit.

Below is a list of films Lucas has worked on in his professional career. The ones with one star are Star Wars related, and the ones with two stars are Indiana Jones related.

1971 – THX 1138
1973 – American Graffiti
1977 – Star Wars IV: A New Hope*
1979 – More American Graffiti
1980 – Star Wars V: The Empire Strikes Back*
1981 – Indiana Jones and the Raiders of the Lost Ark**
1983 – Star Wars VI: Return of the Jedi*
1984 – Indiana Jones and the Temple of Doom**
1984 – The Ewok Adventures*
1985 – “Ewoks” (TV series)*
1985 – “Droids” (TV series)*
1985 – Ewoks: The Battle for Endor*
1986 – The Great Heep*
1986 – Captain EO
1988 – Willow
1989 - Indiana Jones and the Last Crusade**
1989 – Raiders of the Lost Ark: The Adaptation**
1992 – Indiana Jed**
1992-1993 – “The Young Indiana Jones Chronicles” (TV series)**
1994 – Radioland Murders
1995 – Young Indiana Jones and the Attack of the Hawkmen**
1995 – Young Indiana Jones and the Treasure of the Peacock’s Eye**
1997 – Star Wars Animated Adventures: Droids*
1999 – The Adventures of Young Indiana Jones: Adventures in the Secret Service**
1999 – The Adventures of Young Indiana Jones: Masks of Evil**
1999 - The Adventures of Young Indiana Jones: Spring Break Adventure**
1999 – The Adventures of Young Indiana Jones: The Trenches of Hell**
1999 – Star Wars: The Dark Redemption*
1999 – Star Wars I: The Phantom Menace*
2002 – Star Wars II: Attack of the Clones*
2004 – Treasure of the Hidden Planet*
2003-2005 - “Star Wars: Clone Wars” (TV series)*
2005 – Star Wars III: Revenge of the Sith*
2007 – The Adventures of Young Indiana Jones: My First Adventure**
2007 – The Adventures of Young Indiana Jones: The Perils of Cupid**
2007 – The Adventures of Young Indiana Jones: Journey of Radiance**
2007 – The Adventures of Young Indiana Jones: Demons of Deception**
2008 – “The Clone Wars” (TV series)*
2008 – Indiana Jones and the Kingdom of the Crystal Skull**
2008 – Star Wars: The Clone Wars*
2009 – “Untitled Star Wars TV Series” (TV series)*

George Lucas just needs to stop.

With “Star Wars: The Clone Wars,” Lucas has set a new low for milking a series until it’s worthless. While the recent episodes one through three of the Star Wars saga were not the greatest pieces of film literature (Lucas even admitted in interviews that he rushed episodes one and two so he could work on three), they were still fun and profitable. “Indiana Jones and the Kingdom of the Crystal Skull,” was mediocre but charming, and made the money that its inevitable sequel probably won’t, but it was still Harrison Ford and therefore fun. “Clone Wars” has no such saving grace.

Sure it was a film marketing towards kids, but movies such as “WALL-E” have taught us that kids movies can be for adults too. “Clone Wars” dialogue consisted of bad one-liners and nicknames such as “Skyguy” for Anakin Skywalker and “Are-twoey” for R2-D2. Plus there was the five-minute-long plot and Jabba the Hutt’s flamboyantly feminine uncle Zero (somehow Jabba managed to have a son and an uncle when Hutts are asexual in the Star Wars universe, but we won’t get into that).

Watching the action sequences felt like watching the CGI sequences of a (yes, Star Wars) video game, and not in a good way. Perhaps “Clone Wars” had once been intended to be a video game itself, but once Samuel L. Jackson and Christopher Lee signed on to do their respective voices, Lucas had decided to just steal the video game footage and offer it to a wider, higher paying audience. Fortunately with games like “Star Wars: Force Unleashed” coming out, we have something to look forward to that hasn’t been done over three times.

As for fitting into the Star Wars universe, where did Anakin’s newfound “Clone Wars” apprentice Ahsoka between when “Star Wars: The Clone Wars” ended and “Star Wars Episode III: Revenge of the Sith” began? Maybe we’ll get a comic book strip or some webisodes drawing on a dead plot line for another 10 years.

The original “Star Wars” came out in 1977. The original “Indiana Jones” came out 1981. It’s been about three decades, Lucas. Go make something new.

The only reason “Clone Wars” gets half a star is because it’s Star Wars, not because it’s quality.