Sean Hayes guest stars as Buddy Wood, an Indianapolis talk show host itching to speak with Leslie about her campaign.

My man crush on Nick Offerman reached unhealthy levels after last night’s episode, because it was he who penned the script, his first of the series. Considering the commanding screen presence and comedic intuitiveness displayed in his portrayal of the manly, meat-loving libertarian, I shouldn’t have been surprised, but by and large his proficiency for character authenticity did not miss a beat, and may have even surpassed that of his peers as he was able to allot equal yucks to each his beloved cast members.

We drop in on Leslie as she’s picking out an outfit  for an interview with Indianapolis’ number one talk show host, Buddy Wood. The last five city council candidates to appear on his program have won their respective elections and after the events of last week, where she was out-dueled by Kathryn Hahn, she could use the boost in good pub. But in a strange turn, Leslie is the one wanting to kick back, trying on horrendous attire like leather pants that say “Nympho” across the butt (Tom says it’s a “maybe”) and Ben is wound-up tighter than…well, those nympho pants. Almost immediately after his departure, Ben calls to say the interview has been cancelled. Following this news, a surprisingly stable Tom and Ann (who have been together for thirty-eight hours straight, only nine hours share of their personal best) encourage Leslie to loosen up. Leslie’s gun-ho and suggests they go out drinking to capitalize on her pre-interview adrenaline. As a fan, I was immediately giddy because I knew this meant more drunken misadventures, which have never disappointed (see: Snake Juice).

Andy studies for his Women’s Studies final at the community college with the help of Ron and April. Initially terrified of the oral exam, he wants to fake sick, but Ron insists that’s not how grownups deal with tough situations. So he grits his teeth and buckles down, regurgitating feminist theory with an almost robotic efficiency, which may be due to the Cheetos (or treats) he receives with every right answer. I adored watching Andy speak with alacrity about Laura Mulvey and her paper on the male gaze in cinema. It was a paper I read last semester in my gender studies course, and it established an immediate connection to the script, and was impressed by Offerman’s aptitude in incorporating this complex theory for comedic effect. Andy’s thorough review of the material pays off, considering how over prepared he ended up being for a Pass/Fail exam. To celebrate he invites his professor, Linda, to join him, Ron and April for dinner, adding another silly feminist joke about how he’ll “let her pay for her own food, because of equality.”

The tertiary plot is an inert one, but a laugh riot. Jerry is stuffing envelopes for Leslie at a shocking pace, and Donna simply stares in amazement, canceling a date just so she can watch Jerry in his element. To see him perform even a menial task with this level of competency is quite baffling, but the combined absurdity is what keeps it fresh each time we return to it. When this thread is clipped by Jerry realizing he’d been inserting the wrong flyer the whole time, it renews our love/contempt for Jerry, who even when he’s rolling, is prone to messing up. And his eagerness to repeat the process just fascinates and delights all the more.

Leslie’s inevitable drunkenness from fiery tequila shots is a short-lived thrill for her as Ben calls to alert her that Buddy Wood’s flight is delayed, so he will have time to squeeze in an interview. This induces a panic in Leslie, but as she’s proven time and time again, she is cool as a cucumber under pressure. Her clutch, flu-ridden performance in a speech to potential donors for the Harvest Festival was the stuff of legend. Leslie pulling out the “W” here, was a given. Except Buddy Wood wasn’t interested in highlighting an ambitious candidate. He’s out for the dirt. Like most of P&R’s satire, they nailed this particular lampooning of the instigative media, who often tries to stir up negative emotions in their subjects, hoping for scandal. Wood badgers her about the decrepit conditions of the municipal airport, insults the townspeople by calling them sad, and won’t back down when he introduces Ben and their prior scandal of an affair at work. Leslie furrows her brow and insists upon a topic change, but her pride in Pawnee overcomes her will to appear sober, and she blurts out that she’s had a couple drinks. Like a kid at Christmas, Wood is jittery about the journalistic gold he’s just discovered.

At the restaurant, April notices that Chris is at the bar alone (reading “Limb-itless,”  a story of a women who tried to swim across an ocean with no arms or legs and immediately drowned) and invites him to join, acting as matchmaker again. I’m starting to really become enthralled with the consistent progress April makes each week toward concerted efforts to help in ways she isn’t obligated to. I assume the pattern will reveal its hidden agenda at/near season’s end, but for now it’s lovely just to see her relishing in the cognitive dissonance of being dispassionate, but compelled to take care of her friends.

Presumably, Chris and Linda hit it off. He is well-versed in feminist thought, and she shares his enthusiasm for physical health. Ron simply sits back as spectator with his three Porterhouse steaks. When Chris makes his move and asks Linda on a date, she declines saying she just got out of a tough relationship. Chris, with his sunny disposition is undeterred, believing that they can reconnect at another time. After all, he is the microchip. But alas, when Ron suggests that he still has room left for after-dinner omelets at J.J’s, Linda whispers that he should go to her place instead. And the paradoxical legend that is Ron Swanson continues. Though it isn’t a simple sitcom switcheroo. With how strong women have shaped Ron’s life, he just may be the most vehement, if not silent feminist. And there’s just no denying the sex appeal that comes with that man’s affinity for chowing down on cow.

Ron comes in to work the next day, his usual post-sex Bizarro Ron, offering up donuts and wearing power red like Tiger Woods on Sundays. But Andy reminds his mentor that as a grownup he must deal with tough situations (then Andy eventually remembers aloud that Ron was the wise man who told him that). So he approaches Chris and apologizes for his carnal instincts and Chris excepts, but not without a throwaway remark of how lonely he is. I’ve enjoyed Chris’ vulnerability, but must admit that my pity for him might where thin, seeing as he hasn’t done much to help himself (and oddly un-Chris behavior).

In a frenzied attempt to steal back the tape and prevent a catastrophic blow to Leslie’s election hopes, Tom conjures up the hot tub limo and they motor over to Indianapolis. In a manner apropos of this week’s title, Wood’s bags were lost and the tape with it, and any proof of Leslie’s on-air inebriation is in the ether. Of course, the perceived luck isn’t so at all. Karma is enacted by the Pawnee Municipal Airport employees, who in response to Buddy’s petty jabs at their livelihoods, decided to accidentally dispense of Wood’s belongings in the dumpster. It’s a fitting tribute to Leslie, and to the sprit of Pawnee. Nothing Wood said was inaccurate. Pawnee is out of date, and frankly a depressing place to live for anyone looking to launch into the 21st century. But Pawneeans are loyal people. They may be misguided, fat, and perhaps even corrupt, but they stand by their own. And it is because Leslie is the sharpest and most capable representation of their best selves that they will likely vote her councilwoman.

The precedent set last week of immovable walls, held up this week. Campaigning is a tedious process, one not often rife with giggles, but grim reality. And if not for the dedication to the quirks of the players involved, the series could have come to a grinding halt. But by sticking to the old adage of “show don’t tell” we have been able to witness the unravelings and the improbable regenerations of Leslie’s dreams materializing time and time again. We know her like a sister, a fellow compatriot, a champion of what is just, and when she’s entrapped by Buddy Wood, we’re horrifed with her. They’ve constructed a gripping political thriller around the funnest, brightest souls in the fictional Midwest and damn if it doesn’t bring a smile to our faces to see her come out the other side unscathed.

Tom and Ann haven’t fizzled out yet, but they used the volatility of their relationship to noble comedic ends by illustrating Tom as a ticking time bomb. He can be fun to be around and charming for a good streak of time, but then he buys you four dozen flavored condoms and you remember why you despise him. As Tom’s tendency for self-fulfilling prophecy goes, my tolerance for this plot goes. But with a 4-week hiatus* before us, I suppose I will have the time to learn to appreciate it.

An all-around amusing episode of “Parks” is hard to stay mad at though. Reservations about the “direction” of certain character arcs aside, it was a merry occasion. I fist pumped at Ron’s power red, I beamed at Andy’s attempts at comprehending psychoanalytic approaches to feminism, and I was awestricken by Jerry’s mechanical zeal for office work. I can’t imagine a more charismatic and dynamic candidate for the most lovable comedy on TV. For providing yet another injection of the warm and fuzzies, while maintaining biting commentary and sophomoric wit, I’ll overlook any evidence of imperfections as “Parks” earns my vote for a second straight week with its recipe of good ole, homegrown fun, with hints of sweetness and zest. A.

*Let’s have a moment of silence to mourn. “Parks and Recreation” will not return until April 19th. God help us all as try to find solace in these troubling times.

L.O.L.Ls: Laugh Out Loud Lines

- “If there’s one thing I know it’s…my fantastic…it’s talk.”

- “You know who the president of the Boring Club is?” “Me?” “Nope, you lost the election because your speech was too boring.”

- “He’s like a strict mother I’m confusingly attracted to—Ben is like a MILF.”

- “If they got together, they would make a Superbaby. But what if Superbaby got too powerful?”

- “I’ve never had a boyfriend threaten to commit arson for me before!” “Eh, it gets old.”

- “Here, you kids go buy yourself a Walkman. How much does a Walkman go for these days?”

- “I’m quite lonely.” “Aw f**k.”

- “Don’t punish me, I took a risk!”

Leslie (Amy Poehler) and Ben (Adam Scott) looking panicked after losing the senior citizen vote.

Sitcom characters don’t usually hit a snag for more than 22 minutes. It’s common knowledge. In fact, I spoke of it just last week when I mentioned the tried-and-true formula for sitcom watchability. Other than a unvarying structure, sitcoms provide us with what life rarely grants us: a neat resolution.

Few individuals are privileged enough (or frankly spoiled enough) to come out of most snafus without dissatisfaction. Hence why we turn to stories. We live vicariously through proactive characters who take just enough risk to mess up big, but have enough support and fortitude to cleanly rectify their mistakes. I don’t believe these sorts of tales are more or less valid. Truthfully, I’ve been on a “Boy Meets World” kick of late because today’s family TV programs steer away from morality. People are afraid to come down firmly on how children should be raised, or how teens should be taught about sex, in favor of embracing diversity and avoiding offense. The 90s, were a different time.

My point is that now we live in a time where uncertainty is infectious. Over at The AV Club they posted an article just a few days before The Academy Awards discussing how all nine nominees for Best Picture, in one way or another, confronts our scary future. And if art is a reflection of the society that spawns it, then Leslie Knope’s futility versus Washington hotshot Jennifer Barkley (Kathryn Hahn) this week was not only poignant and funny, but a rough portrait of our current cultural anxieties.

Don’t worry though, the episode itself doesn’t come off nearly that self-aggrandizing. The main takeaway from “Campaign Shake-up” is that complacency can not be afforded. Despite a surge in the polls, with Leslie just 15 points behind Bobby Newport (distancing herself from Pawneean porn star Brandi Maxxxxxx), Newport’s monetary advantage looms large. His daddy hires Jennifer Barkley, a consummate pro who has eaten egg salad with the likes of Colin Powell, who seeks to snuff out their fiery hot streak.

After her initial play of attacking Leslie’s lovable childhood aspirations commercial (seen in “Campaign Ad”), her next maneuver is to steal “the gray vote” by securing the endorsement of Pawnee Seniors United president Ned Jones (played by TV legend Carl Reiner). LesBen had acquired his support with their “Ramp Up Pawnee” initiative, basically a plan to make Pawnee more handicap-accessible since “stairs are a young man’s game.” Jen one-ups their idea with her conception of “Raise Up Pawnee,” an installation of electric lifts next to every staircase. While of course Leslie’s plan is more practical and cost-effective, the seniors are easily impressed by the gadgetry and Ned Jones officially endorses Bobby Newport.

Over at City Hall, Chris expresses concern that the Parks Department is undermanned with Leslie reducing her hours. Considering she did the work of four men, this is a legitimate concern. As a result we are treated to Ron’s absurd, yet endearing in its staunchness, anti-government stance once again.  Fearful of adding another employee to the mix, Ron appoints Ann Perkins (pronouncing her name right and everything!) to spearhead a cross-department project between the Health and Parks departments to fix the water foundations. What’s wrong with the water fountains? Well, the quirky folks in Pawnee put their mouth on the spouts when they drink. The project’s aim is to redesign the fountains so that the disgusting habit is impossible.

With Andy as her test subject (and a perfect illustration of the average Pawnee resident), Ann leads a brainstorming session. Jerry suggests a cage over the nozzle, but Andy rips it off. Tom suggests replacing fountains with “water butlers” and is immediately rejected. On a side note, Tann (Tom and Ann) only gets a brief instance of relevance when Tom gloats that his idea will receive preferential treatment because him and Ann are “romantically intertwined.” I was glad to see that emphasis on their relationships was waned significantly, but it also didn’t address the issue of its legitimacy so the Catch-22 of inconsequence and importance continues for yet another week, much to my minor dismay.

April contributes to the brainstorm at first by provoking a water fight by spraying Ann, redirecting the fountain flow. Consequently, when Ron escorts Chris to the department to prove his progress on a major project, they witness the escalation from playful splashing to full-scale aquatic warfare. Andy caps their distraction by attacking Chris as a water balloon kamikaze (he has fashioned a vest of water balloons out of duct tape), easily the best bit of slapstick of the episode. Chris Pratt always nails that particular area of “Parks” comedic repertoire.

LesBen panics over losing Ned’s endorsement, realizing that Jennifer is simply better than they are. Every measure they take, she will have a countermeasure. Leslie, despite assuring Ben she has the utmost confidence in his strategies, decides to go directly to the source. When she meets up with Jen, she admits that she would rather Leslie win, but it’s her job to win, and she’s damn good at it. But because she “loves to play chess” and believes she is her own best opponent, Jen gives her a strategy, suggest a shuttle service for seniors. Leslie agrees it’s genius, but when she pitches it to Ben, he reasons that Jen is too in their heads, manipulating them. As much as I love Leslie, and want her to succeed and believe she would be the best thing for Pawnee, its fun to see her and Ben squirm. As much as a Leslie triumph has become this show’s staple, this show has become one of possibility. And by introducing this giant hurdle, not only does it provide a challenge that would payoff HUGELY if they could overcome it, but the writers make sure they’re challenged as well, solidifying them as the freshest in network comedy, by far.

The ending showdown between Leslie and Jen on Perd Hapley’s “Final Word with Perd” (oh excuse me, Perdrick L. Hapley) was brilliant. Jen combats Leslie’s jabs about Bobby gallivanting through Europe with floozies with such finesse, it was like watching MJ play with the flu in the NBA Finals. She counters that he was striking a deal with a European company to build a factory in Pawnee. It’s total BS. But it doesn’t matter. The sting of Leslie’s venomous rebuttal is gone from voters’ minds. While Perd is clueless as to what happened on his own show (contributing no probing questions for either side), Leslie sulks at the bar, wanting to drink away her shortcomings, aware that her drive and tireless work ethic may not be enough. This is a foreign feeling for her, and her storyline this week while filled with intermittent giggles, didn’t leave us with a warm and fuzzy feeling. But I have faith that it’s being stored away for a fourth quarter finish that will swell inside me to the point where I might burst.

Not all is lost, however. April continues her trend of rising to the top of the “Parks” achievement heap yet again with her simple yet elegant solution: remove the splashguard so no one can put their mouth on it. Chris’ worries that the group lacked cohesion and leadership are abandoned, and Ron asks April to take some of Leslie’s load. Though reluctant to do things, Ron taught her the art of inaction and delay, Ron woefully convinces April that her need to test her potential exceeds the need to stall government activity for him, therefore appointing her as Leslie’s fill-in for now.

I like that I’m clueless about where April’s arc is heading. Leslie seems destined for a come-from-behind victory where she makes a sacrifice of some sort (either involving Ben or the Parks department) to win the election, but April’s continued evolution is a mystery. She has begun to care for others’ happiness, and is even putting her brain to productive use. To what end? I’m not saying the character herself is conscious of where she is headed, but the show seems intent on providing her with responsibility, and showcasing her redeeming qualities. I sure hope she isn’t leaving the show for greener pastures. Not only does Andy not deserve that kind of pain, but neither do I!

While Paul Rudd was off promoting his movie, Kathryn Hahn was an awesome addition this week. She’s frank in her deviousness, and you have to admire her thorough, near impenetrable research. It’s reminiscent of Leslie’s superwoman qualities, while not being a re-tread, but a worthy foil. The LesBen dynamic was delightfully rendered this week, particularly when Leslie would compliment Ben for his attractiveness, but perhaps overemphasized his small stature to the point where Ben became insecure. It’s relatable, while still totally unique to these two people, a sweet balance to accomplish. Ron earns my MVP though for his stubborn reactions to change and his depiction of impossible choices through an anecdote about his sixth birthday (check out L.O.L.Ls).

With one episode remaining before a month-long break, “Campaign Shake-up” returned to the main thrust of the season with a stylish blend of gravity and levity. We watch the Parks department grow sillier and yet fuller in Leslie’s absence, and Leslie’s campaign encounters its first insurmountable foe, reminding us why we want Leslie to win. Because she is going to deserve it. So while we, the commoners, might not get our way though we may have earned it, Leslie will. But it won’t be as easy as twenty-two minutes of coincidence and contrivance. The conclusion will be the hard-fought accumulation of prolific labors, like tonight: an infusion of expertly tailored moments with hilariously crafted dialogue. For the return of Ron Swanson, the man and the myth, for elevating April above her role of anarchic instigator, and ensuring that like Leslie, the “Parks” team will earn our vote, I’ll gleefully go to the polls to check off “A.”

L.O.L.Ls: Laugh Out Loud Lines:

- Perd Hapley’s gems: “The first issue…is the one we’re gonna talk about.” “Now it’s time for our next segment…which is a commercial.” Also, his fascination with the concept of “a foot in a mouth” as an actual act, not as an expression.

- “You’re a brilliant, sexy, little hummingbird.” (hums suggestively)

- “Not enough ramps is the number three complaint by Pawnee seniors. Right behind, “everything hurts” and “I’m dying.”

- “Either we complete a government project, which is abhorrent to me, or we bring a new person into the department, which repulses me to my core. Reminds me of when my dad made me choose which one of my pet calves to slaughter with my own hands for my sixth birthday. I couldn’t choose, so I slaughtered both of them. And they were delicious.”

- “As a candidate I appreciate your strategic mind, but as a woman sly I care about is your slight, but powerful body.”

- Ann: “That’s the first time you’ve said my entire name correctly.” Ron: “Nonsense, we are close friends.”

- Leslie: “You’re a mangenius, with a taut, narrow frame like a sexy elf king.” Ben: Do you wish I were taller? What’s going on here?”

-”I think Ben’s already filling the Leslie void.” (high five)

Ben (Adam Scott) informs Leslie (Amy Poehler) that she "slept with" Jerry (Jim O'Heir) all night.

Subtlety can often be pretentious, but there is a reason why minutia matters.

As a writing student, I know much of the whining in workshops is oriented around how “obvious” the story is. Well, also “how well we know the main character,” but the people of Pawnee have been fleshed out for a while. “Obvious” can mean predictable, manipulative, or even bland, but it’s the perception of an overt effort to “make a point” that’s the faux pas in literary circles. The consensus is that one must write with a question in mind, not an answer.

But as CBS (and the other networks, but CBS serves as the exemplar) has suggested for decades, people like routine. Sitcoms and procedural dramas are characterized by their formulaic structure and cathartic endings. When you sit down in front of the tube on any given weeknight you’re sure that you will walk away satisfied because you found out who the killer was, or because the children learned their lesson. In literature, this is lazy; it’s understood that each story should be evaluated as an opportunity to cut a fresh slice out of life. Now, I can’t be sure that if I sneakily submitted a “Parks and Rec” script as my next draft folks would fully embrace it, but I believe the show does embrace the core of why subtlety is championed. When a message is explicitly conveyed it doesn’t allow for a range of interactions with the “text.” Nuance and finesse, however, can allow for a spectrum of reactions.

This is wherein comedy can achieve excellence. Laughs, although discriminatory, are easy. They are reflexes, engrained in us unconsciously, and often we immediately regret or find shame in what we laugh at. But when one is reduced to a coughing fit, or any other ostentatious displays like knee-slapping, clapping, snorting, that’s a genuine expression of connectivity to the art. That’s not something you can churn out every week through some kind of chuckles equation. It takes care and dedication, and when I notice the “Parks” writers employing such details with confidence, you know you’ve been struck by a story thats worth telling, and yet shows merit simply in how it’s told.

That said, Sweet Sixteen wasn’t the strongest or the most memorable episode, but it’s one of many exceptionally executed chapters in a masterpiece work. As mentioned up top, the minutia mattered this week. Like when Andy answered that 64 divided by four is 64 while everyone else blurted out 16. Or when Ron asked Donna if this was all the eggs she had, and when she asked what he was making he replied, “Eggs.” Or how about a classic “What the f**k” delivered by Andy when Chris popped up to give him more tips in canine care. The list goes on, and not even the L.O.L.Ls section could adequately house the prolific amount of details that all served comedic purpose.

The plot tonight, much like that of Operation Ann, is highly unoriginal and so recycled it’s eco-friendly. Leslie is frazzled, but it’s never just that. She’s a catalyst for situations that bring out the eccentricities of them all. This time she’s overworking herself clocking 50 hours at the Parks Department, 50 for her campaign and still finding time to volunteer for Wheels for Meals on Wheels (they repair vans for Meals on Wheels). Ron insists she take a sabbatical, but her tireless work ethic is at odds with her biological need to slow down. As a result, she has become uncharacteristically negligent. Her most recent slip-up being that she forgot Jerry’s birthday. Another stellar detail: Jerry’s birthday is February 29. How perfect? The most undervalued worker gets a celebration only ever four years, brilliant. As her atonement, Leslie resolves to throw him a surprise “Sweet Sixteen” party at Donna’s lake house. But in her rush to make amends, she forgets to invite Jerry, only serving to stroke Ron’s ego as he anticipates her downfall.

After Tom bought himself some time to woo her last week, Ann briefly becomes the object of Tom’s disdain. She violates number three of his “Oh No Nos” list, a lack of appreciation for 90s R&B, when she is unfamiliar with Donna’s cousin and recording artist, Ginuwine (I remember him in the 2000s as the crooner who released the single, “In Those Jeans,” an ode to curvy women who leave little to the imagination when they squeeze into tight denim). Tom then worries that she may be utterly repulsive to him aside from her stunning beauty. Through relentless questioning he uncovers disturbing disagreements between them, forcing Ann to rattle of her own list (from which I will draw upon some L.O.L.Ls below). Caught in the middle is April, who “inadvertently” set them up two episodes ago. Due to that kindness, she’s now forced to endure their incessant complaints. To dull her agony she drowns herself in champagne, adding Aubrey Plaza to the list of “Parks” actors with an aptitude for acting drunk.

Everyone’s favorite thrice-appendaged doggy Champion is the subject of the last subplot. Chris, still reeling from Millicent, is desperate for companionship. And when Andy asks him to watch Champion for a night they bond instantly. As expected, the microchip expertise that knows no bounds extends to dog training, and using German commands has made Champion into a…well…do I have to say it? Andy’s first response is jealousy. His German gibberish when attempting to make Champion perform for him too is hilarious. After losing Champion while trying to prove he didn’t need a leash, he earnestly relays his insecurities to Chris, who assures him that the love he provides is perfectly adequate. Chris then suggests he sing to corral the dog, and when Champion returns shows the camera the dog whistle he uses to actually coax him out. It’s a tender act that further defines Chris. Before he was just a comical exaggeration of self-determination and optimism, but amidst his misery, he has shone truthfully as a beacon of selflessness and friendship these past few weeks.

The three payoffs were unified in the superb exhibitions of ” their best selves” by those who served as crutches for their normally self-sufficient friends. Ron Swanson, for instance, offered his pearl of wisdom: “Never half-ass two things, whole-ass one thing.” Not exactly eloquent, but it’s a honest appeal to Leslie that if she really wants to be a councilwoman she needs to make sacrifices, reductions to her workload. They shake on an agreement to ten hours at P&R, and the rest of her time will be allotted to the pursuit of her dream, becoming an elected official.

Tom and Ann transforms into Tann, then Haverkins (Haverford + Perkinds), when April’s drunken admission that they were fighting over pointless topics jolted them both, making them realize that they were fishing for something wrong when they should have just be enjoying each other’s company. It was pleasant as always to see April, however reluctantly, help out the people she cares for and hates in the same breath. She’s a conundrum, but one you wish was by your side and in your life.

Andy also brings joy to another by encouraging a relationship, giving Chris permission to hang with Champion whenever he likes. The brief moment where April touches Andy’s hand, again using an extremely minor maneuver, sealed the deal. There is not only love between them, but more than tenuous bonds between all of the Parks Department team. Like with Tom and Ann, it might be easier to point out the flaws. Like with Ron and Leslie it may take time for a proper mentor/mentee dynamic to flourish; and like with Andy and Chris it may involve opening yourself up when you’d rather give off your more invulnerable self. But when Leslie, “Tann,” and Chris needed that Al-Green-esque shoulder when they weren’t strong, they answered the call.

Projecting a bit, I’m still worried about “The Haverkins situation,” but it’s an enigmatic kind of worry: my concern is that it’s harmless. Leslie’s campaign is a palpable source of tension and a well of comedic scenarios. Haverkins comes off as a fling would, inconsequential. But “Parks” doesn’t operate with the safety valve of a reset button, and everything that occurs before affects our characters going forward. While Tom and Ann’s prospects of finding love don’t have the potential to shake up the series like Leslie’s election could, it might disturb the balance of absurdity and realism that the show has so rightly earned. The episode itself was innocuous too in many ways, a detour from more pressing affairs, but due to the ways it showcased the better attributes of favorites like Ron and Andy, it’s nearly impossible to diminish my level of enjoyment. For an escape to the lake house filled with equal parts bonding and shenanigans, and prioritizing the minuscule so that it might balloon in the eyes of each viewer, I raise a glass to Jerry’s 64th birthday and to a B+ episode of the most gratifying show on television. Cheers!

L.O.L.Ls: Laugh Out Loud Lines

- “Let’s start a pool. Who wants retired and who wants dead?”

- Ron on Leslie’s belief that he will later “eat crow”: “Leslie’s the best and I’m stupid.” “That does sound like me…”

- Oh No Nos or Things about Ann that bother Tom: accepts <600 thread count sheets, has never seen a Paul Walker movie, doesn’t care about Blu-Ray, read books all the time, still has an iPad first generation and “he owns more Uggs than she does!”

- Oh No Nos or Things about Tom that irritate Ann: Talks through terrible movies he makes her watch, has 20” rims on his Volkswagen Golf and insist on being introduced as “the Brown Gosling.”

- “I was getting kind if sick of Tom and Ann talking about their relationship, but then remembered alcohol existed. (Takes swig) Thank you alcohol!”

- Ben’s half asleep, bed-haired and half-hearted “Surprise!” when Leslie walks in with Jerry in the middle of the night.

- Ron’s toast to Jerry: “Jerry’s work is often adequate.”

- Not a line, but a visual gag: Leslie’s campaign sign with a URL on it instead of the actual image

Blast Magazine Washington reporter Heidi Buchanan, a former congressional intern and 2004 alternate Vermont delegate at the Democratic National Convention, will be providing blog coverage of the 2008 presidential campaign starting next week.

Moving forward from their victory in Iowa, both Illinois Senator Barack Obama and former Arkansas Governor Mike Huckabee face the challenge of translating their early success into momentum which will sustain their candidacies through the remainder of the primaries.

Senator Obama won the Democratic Iowa Caucus’s on Thursday night with 38% of the vote. In second place, former North Carolina Senator John Edwards came out with 30% of the vote with Edwards having a slight edge over Senator Clinton in third place with 29%.

On the GOP side, former Arkansas Governor Mike Huckabee won with 34% of the vote with former Massachusetts Governor Mitt Romney taking second place with 25% of the vote. Former Tennessee Senator Fred Thompson and Arizona Senator John McCain tied for third with 13% of the vote.

Both winners are widely seen as the "likable" candidates out of the wide playing field of presidential hopefuls. However, historically Iowa has not been a reliable predictor of the eventual nominees. In recent New Hampshire polls for instance, Governor Huckabee has been polling in the single digits behind Senator McCain

The next primary in New Hampshire will bring the candidates in front of a different electorate. Whereas in Iowa, Huckabee relied heavily on his Evangelical beliefs, religious values tend not to be as important to New Hampshire voters. It’s an open question whether Huckabee can broaden his appeal beyond the self described Evangelical and born again Christians responsible for his rise to the top tier in Iowa.

Ultimately, the most important factor that Iowa serves is to narrow down the field of candidates in the race — by the end of the night two Democrats, Delaware Senator Joe Biden and Connecticut Senator Chris Dodd, ended their bids for the presidency, and no doubt several other may follow suit in the coming days.

Blast Magazine staff writer John Guilfoil contributed to this report.

This was Blast’s live coverage, updated throughout the night of the Iowa caucuses.

In the Iowa Democratic caucus, Barack Obama has won over former senator and vice presidential nominee John Edwards and Senator Hillary Clinton. Clinton is likely to finish in third place in a 37, 30, 30 close race.

In the rural , 95 percent white state, Obama has made a broad statement going forward.

The Associated Press has called the Democratic poll for near 9:30 p.m. Thursday.

This is terrible news for John Edwards, who many feel needed a win in Iowa to maintain his strength in the Democratic race. He has little funding left, and won’t get much of a bonus after barely sneaking away with second place.

Blast Magazine has learned that Senator Chris Dodd (Conn.) will drop out of the race. Senator Joe Biden also announced near 11:30 p.m. Thursday that he would leave the race.

On the right side of the aisle, former Arkansas Governor Mike Huckabee has won the Republican straw poll.

NBC and CNN called the race shortly after 9 p.m. Thursday.

Huckabee beat out former Massachusetts Governor Mitt Romney by nearly 10 percentage points.

Fred Thompson finished third while John McCain was down in fourth.

Rudy Giuliani is not campaigning in Iowa.

Huckabee was outspent 15:1 in Iowa. “People are more important than the purse,” he said during his victory speech.

“Tonight the people of Iowa made a choice, and their choice was clear; their choice was for a change,” Huckabee said.

Huckabee will certainly find financial support in the coming days leading up to New Hampshire — whether his momentum will propel him remains to be seen.

Blast Magazine staff writers Heidi Buchanan and John Guilfoil contributed to this report.

Click here to view all videos and the full transcript from Mike Huckabee’s appearance on The Tonight Show.

In a controversial move, former Arkansas Governor and current Republican presidential contender Mike Huckabee left the campaign trail the night before the Iowa caucuses to appear as Jay Leno’s guest on The Tonight Show for its return to live broadcast Wednesday.

Acknowledging the ongoing writers strike, the Governor’s campaign explained that the decision to appear was made only once they were, “…assured that no replacement writers were being used in the show’s production.” because, “Governor Huckabee believes that the writers deserve to be fairly compensated for the sale of their work.”

Huckabee said he would like to been seen by the American people as the, “…guy they work with rather than the guy that laid them off.” A view apparently shared by some political bloggers who have taken to referring to him as “Awshucksabee.” He is a former Baptist minister, and explained to Leno that he entered the political arena when he realized that decision makers were making policy “without knowing real poverty.”

Adding to his down home image, Huckabee is also known for his rock band “Capitol Offense” who performed in Des Moines at a January 1, 2008 fundraiser where he cajoled former Congressman and current MSNBC morning anchor Joe Scarborough to join him on guitar. In a moment reminiscent of Bill Clinton’s famous campaign appearance on the Arsenio Hall Show, Huckabee even accepted an offer to join Kevin Eubanks and The Tonight Show Band for a brief set.

Generally, the conversation between Leno and Huckabee avoided policy specifics, with the exception of a brief description of his Fair Tax proposal. Which is essentially a national sales tax in which everyone would pay 23 percent of what they consume — food, gas, sales however, the poor — below a certain threshold would be “untaxed” by getting a rebate. Huckabee said his plan would free people up to earn what they want.

Governor Huckabee also explained his decision to pull his first attack ad two days ago, minutes before a press conference with major media outlets seated only to then showed it to the media anyhow because he didn’t want them to think it didn’t really exist when it did. He cited that his conscious got in the way of dissing Romney, who has spent $8-9 million on negative ads in Iowa and New Hampshire against his two biggest opponents — Governor Huckabee and Senator John McCain. Huckabee pulled his own attack ad because he claimed in front of Leno he wanted to “stick to his message” which is to “stay positive” and talk about what the country needs, rather than what’s wrong with the other guys.

One Republican Party activist — not affiliated with a specific candidate — said the decision to appear on the show highlights Huckabee’s confidence with his current standing in Iowa. However, he noted, it is reminiscent of former Governor Howard Dean’s ill-fated decision in 2004 to leave the campaign trail during a similar time frame in favor of a joint appearance with former President Jimmy Carter.

Huckabee, sticking to his message, ended the evening on a positive note. When Leno asked which candidate he’d like to see on the Democratic side, Huckabee noted that all the Democrats were “sincere” however, there is a fundamental difference in their politics but he “respected anyone running for president.” He did note, that it seems as if Senator Barack Obama and him share a similar value in horizontal politics that is, politics is not just about left, right, liberal, conservative, Democrats and Republican but rather values vertical politics — where the candidate wants to bring the country up and not down, forward — not backwards.

Transcript:

JAY LENO: Folks, up until a few weeks ago, my next guest was an also ran with a funny name in the Republican campaign. He still has a funny name, but now he’s near the top in the national polls. He’s neck in neck with the Mitt Romney in Iowa, and the caucus there will be held tomorrow. Please welcome Mike Huckabee, ladies and gentlemen.

(Applause.)

JAY LENO: Thanks for coming.

MIKE HUCKABEE: Wonderful to be here. Thank you.

JAY LENO: This is what I find fascinating about American politics. I kind of follow this kind of stuff. So I’ve known who you are for a while, but you literally, in the last couple of months, have come from nowhere with hardly any money. Explain how this happens.

MIKE HUCKABEE: I’m just trying to keep from going back to nowhere as fast as I can.

(Laughter.)

I’ve seen a lot of this. People are looking for a presidential candidate who reminds them more of the guy they work with rather than the guy that laid them off. I think that’s part of what’s going on right now.

(Applause.)

JAY LENO: Right. Now, tell us about your background. I know you’re from Hope, Arkansas.

MIKE HUCKABEE: Yes, born and raised there.

JAY LENO: Also, of course, President Clinton did you know each other
growing up?

MIKE HUCKABEE: We didn’t know each other growing up. He’s 9 years older, and he had moved away when he was like 7 years old and went to Hot Springs. When he ran for President, somehow it just didn’t sound right to say, “I believe in a place called Hot Springs.” So he talked about his birth place.

(Laughter.)

You can understand that. We all understand that.

JAY LENO: Now, your first career was as a Baptist minister. How long did you do that?

MIKE HUCKABEE: About 12 years.

JAY LENO: How did you become how did get into that line of work?

MIKE HUCKABEE: Well, I mean, the honest and serious answer is that I just saw life and a perspective in the church that I think very few people get to see. You see every single social pathology that’s out there. Nothing is abstract to you. You put a name and a face on everything, and I really began to believe that so many people making decisions that affect the way we live, the way our future would be governed, didn’t have a clue about how people were really struggling.
It became evident to me that there were a lot of folks making decisions that didn’t understand poverty, hunger, or disease. They didn’t understand the challenges that people had in their families, and for my own three children, who were small at the time, I decided I don’t want to spend the rest of my life complaining about what “they” are doing.
And I finally thought it’s time to get out of the stands and on the field and get my jersey dirty.

JAY LENO: You also played in rock band.

MIKE HUCKABEE: Yes.

JAY LENO: So it’s this is like TV Baptist minister during the day,
playing White Snake at the KitKat Club at night. Doesn’t that seem

(Laughter.)

JAY LENO: Some of your congregation (making rock music sounds.)

MIKE HUCKABEE: I never played with my teeth or anything like that. So it wasn’t totally bad. I started playing guitar when I was 11 years old. I was like so many kids that came out of the ’60s that wanted to
play guitar more than anything. When I finally got a guitar my
parents got a guitar from JCPenney, ordered it from the catalogue. I
got it Christmas 1966. They paid $99 for whole rig guitar,
amplifier. It took them a year to pay it off. My parents barely made enough money to pay the rent. We lived in a little rented house. It was a big sacrifice for them, but I played that guitar until my fingers
nearly bled and until their ears nearly bled. It was

(Laughter.)

JAY LENO: And they said, “Son why don’t you become a minister?”

(Laughter.)

MIKE HUCKABEE: I think they were hoping for me to do anything, and obviously, I wasn’t good enough to make it as a professional. So I had to find something else to do, and that looked like it was mostly indoor work and no heavy lifting. I thought it would be a pretty good way to go.

JAY LENO: Do you think you could sit in are you good enough to sit
in with our band later?

MIKE HUCKABEE: No, but I’d like to do it anyway.

(Applause.)

JAY LENO: I think you first got elected about the time I took over this show, about ’92?

MIKE HUCKABEE: Well, ’93 was the first year. I ran in ’92 and lost an election. Then I ran in ’93 for lieutenant governor, and I won and reelected in ’94, became governor from the position of lieutenant governor when my predecessor resigned and then reelected twice and served ten and a half years as governor.

JAY LENO: Because when I first met you, you were living in a trailer in Arkansas.

MIKE HUCKABEE: My wife wanted me to tell you it was a manufactured home.

JAY LENO: Yes.

(Applause.)

Why were you living in a trailer? Were you trying to put on the airs and impress public constituents?

(Laughter.)

MIKE HUCKABEE: You know, it was a triple wide. A lot of people only have a single wide trailer, but we had a triple wide. It was pretty significant. Actually what was going on was the governor’s mansion was
undergoing renovation. There were a lot of things the wiring and all
this stuff had to be redone. So we had an option to go out and rent this very expensive place or find alternative housing arrangements. We decided to move in a triple wide manufactured home on the grounds of the governor’s mansion. We knew we were going to take a beating.

JAY LENO: We had a million jokes about it.

(Laughter.)

Thank you. You supported the monologue for weeks with that.

(Laughter.)

MIKE HUCKABEE: The big line was they said, “I’m sorry. I’m running
late today. I was on the interstate and got behind the governor’s mansion.

(Laughter.)

JAY LENO: Well, we actually interviewed that was the first time I
met you. You looked a lot the different then. Here he is. We’re talking seven years ago.

(Clip shown.)

(Applause.)

JAY LENO: When we come back, I want to ask you about that triple wide jacket you had on there.

(Laughter.)

We’ll take a break and come back with Mike Huckabee when we come back.

(Applause.)

(Break taken.)

(Mike Huckabee is playing his guitar with the band.)

JAY LENO: Nice job.
Before I ask you about news, I want to ask you about the triple wide jacket. You lost quite a bit of weight. How much weight did you lose?

MIKE HUCKABEE: About 110 pounds.

(Applause.)

JAY LENO: Congratulations on that. What was your secret?

MIKE HUCKABEE: The legislature kept eating my lunch every day.

(Laughter.)

No. My doctor sat me down. I faced a health crisis in 2003, and he basically told me if I didn’t make a lifestyle change, I was entering the last decade of my life. Then he described it. He said to me, “Here’s what’s going to happen.” And when he described it, that’s when I decided I needed a new exit strategy. So I really changed my lifestyle. I started eating differently, got rid of the fried foods and sugars. You know, I’ll tell you something, when you grow up in the South, everything is fried. I mean, you don’t eat anything unless you fry it.

JAY LENO: Fried water.

(Laughter.)

MIKE HUCKABEE: That’s right. You know, it’s very difficult to do that.
If you don’t fry it, you put sugar on it. It’s just the way we eat.
And between that and not exercising, which I did not do, it really caught up with me. I was in a health crisis. So my life was kind of representative of like a lot of people in this country that just don’t take care of themselves. We don’t have a healthcare crisis as much as we have a health crisis, and I was the epitome of it.

JAY LENO: So that’s terrific.
Now, you and Romney seems to have gotten into fisticuffs lately. What’s
going on here? You guys are neck and neck and seems to be getting

MIKE HUCKABEE: Oh, it’s politics. I mean, that’s what politics is about. I tell people that, if you can’t stand the sight of your own blood, don’t run for anything, just buy a ticket and watch it from the stands.

(Laughter.)

Because this is a full contact sport. No doubt about it.

JAY LENO: On Monday, you had a press conference. You were going to release an attack ad which seemed a little unusual for you. Why were you going to do that?

MIKE HUCKABEE: We had been hammered. We had been outspent 20 to 1 in
Iowa. 20 to 1. And that’s tough. And we had been hammered

JAY LENO: How much did you spend?

MIKE HUCKABEE: Oh, I think probably 3 to $400,000.

JAY LENO: And how much did Romney spend?

MIKE HUCKABEE: 8 or 9 million. So I mean, you know, it’s a substantial difference. We just kept getting hammered with negative television ads, negative radio ads, and mail pieces. And finally, decided “We had better answer this, or somebody is going to believe all this stuff.”

JAY LENO: So they work negative ads.

MIKE HUCKABEE: Well, they seemed to.
Then he started hammering John McCain over in New Hampshire. John McCain may be a rival of mine in the presidential race, but I have nothing but respect for him. He’s a great American hero. I think he’s a great American and a wonderful man, and a great guy

(Applause.)

JAY LENO: So you were going to do an ad.

MIKE HUCKABEE: Right. So we put together an ad and taped the tape, got it all ready. We were going to release it at a press conference, and Monday I just didn’t feel right. We had gotten where we are by being positive and talking about what this country needs to be rather than
what’s wrong with the other guys, and I just said

JAY LENO: As you were making it did you feel like

MIKE HUCKABEE: I needed to go take a shower or something like that or give Romney a shower maybe. I don’t know.

(Laughter.)

You know, at the time you think this is what we have to do. You don’t
like it, but you think it’s necessary, and at the end you just think

JAY LENO: So then you get a little conscience saying not to, but then why show it to the press at the press conference?

MIKE HUCKABEE: Well, they were very cynical about it, but the point is, if we hadn’t shown it, they would have said, “You didn’t have an ad.
You’re just bluffing us.” If I had really wanted to be disingenuous what I would have done is run the ad for three days and then said, “Oh, I have a conscience now. I think I’m going to pull it.”

JAY LENO: You did that very well. “Oh, I have a conscience.”

(Laughter.)

That was a real good political

MIKE HUCKABEE: I hope I have a conscience, which would be very unusual for politics to have a conscience.

JAY LENO: I know. Now, you have some interesting positions. I was not aware of this one until just this week when I started to research you a little bit. You want to dismantle the IRS. Everybody cheers that.

(Applause.)

Everybody loves that idea, but what is your alternative? You do away with the IRS, then what?

MIKE HUCKABEE: We would have a consumption tax rather than a tax on productivity.

JAY LENO: Value added?

MIKE HUCKABEE: It really wouldn’t be a V.A.T. It’s a simple like a sales tax at the point of retail sales. Let me tell you why that’s different. You, first of all, eliminate the underground economy. So
everybody is paying drug dealers, prostitutes, gamblers all those
people pay like the rest of us.

JAY LENO: There must be some legitimate work in there.

(Laughter.)

Boy, you really are in politics.

(Laughter.)

Now, what about a poor person goes and suddenly how much is this tax?
23, 24 percent?

MIKE HUCKABEE: It’s 23. But here’s the thing. Every person receives a “prebate” of the taxes that they would have on the level of the poverty, which means that what you really do with this fair tax, which is what it’s called, is you untax the poor. They don’t pay taxes, which means it’s really a progressive tax system. That’s why I love it because it would take the people least able to afford the taxes, and it virtually untaxes them.

Here’s what it also does. It frees people up to earn as much as they want. You don’t get taxed on income, savings, investments, capital gains, or debt.

I met a guy in New Hampshire. This is an interesting point. He’s working a second shift at a machine shop, trying try to help his daughter go through Cornell. She’s in grad school. $54,000 bucks a year to help her out. And he’s working a second shift. My first thing was, “Thank you, Lord. My daughter is not in grad school at Cornell because that’s a lot of money.” But then he tells me, “I’m now in a new tax bracket because I’m working a second shift, and the additional taxes I’m paying almost takes away what I’m getting on the second shift.”
What we’ve done is we’ve told him that, if he really, really works hard, we’re going to make it really hard for him to help his daughter. Here is how he can get his daughter some help: Quit both shifts, stop working, and he could then qualify for his daughter to have some federal assistance. That’s nutty.

We ought to have a system that encourages people to work, to think about the small business guy that sketches out the idea on his kitchen table.
He wants to go into business for himself, but his greatest competitor is not the guy across town or across the country. His greatest competitor is his own government that makes it real difficult for him to fill out the paperwork and pay the taxes.

(Applause.)

JAY LENO: Now, quickly the Democrats also seem to be gaining in
Iowa. Let’s say you win. Who would you want to win on the Democratic ballot? Who would you want to run against?

MIKE HUCKABEE: I still want them all to drop out, and let me have a clear shot all the way to the White House.

(Laughter.)

JAY LENO: So you’re realistic about this.

MIKE HUCKABEE: Yeah, frankly, I think there’s some Democrats that I
think they’re all sincere. I think there’s a fundamental difference between us in terms of whether we think taxes ought to go up or down, whether government ought to be more or less involved. Look, I have respect for anybody that runs for president. I have a great respect for Barack Obama. I think he’s a person who is trying to do in many ways what I hope I’m trying to do and that is to say let’s quit what I call “horizontal politics.” Everything in this country is not left, right, liberal, conservative, Democrat, Republican. I think the country is looking for somebody who is vertical, who is thinking, “Let’s take America up and not down,” and people will forgive you for being left or right if you go up.

(Applause.)

JAY LENO: I know you’ve got to get back to Iowa.

MIKE HUCKABEE: I do.

JAY LENO: I love Iowa. Thank you, sir, Mike Huckabee.

Emeril Lagasse is next.