Cult films are a dangerous thing. Sometimes great, sometimes not, they create a fervor and devotion usually saved for fringe religious groups and third party candidates. And the films make their way into the canon of filmic classics, whether or not they deserve to be there.

There is only one thing more dangerous than a cult film. A cult sequel.

I was once an acolyte who worshiped at the altar of "The Boondock Saints," the 1999 comedic thriller about two Irish brothers in Boston who decide to become vigilantes. I saw the film when I was 16, right before I was about to move to Boston. Perhaps it was the gritty Southie cache that resonated with me, or the idea of two good-looking Irish boys saving Boston from danger, but I was in love. I’d lost touch with the movie until last week, when I saw the sequel.

It didn’t matter that I hadn’t seen it in a couple years. It was the exact same movie.

The plot’s a bit different: our anti-heroes Connor and Murphy (Sean Patrick Flanery and Norman Reedus, respectively) are on the lam in Ireland by their father (Billy Connolly) after killing numerous mobsters in Boston. After a mysterious villain starts mimicking the Saints reverent killing style, they return to Beantown to take up their savage quest. They’re pursued by another FBI agent, this time a woman- Julie Benz, who does a truly spectacular job stepping into Willem Dafoe’s airy shoes, even with half of her scenes being slow camera shots up her gamine profile. We also get a protracted back story about the boys’ father, a righteous murderer in his own right.

But the cult sequel is a very big problem because it’s made for the fans, and the fans alone. Outsiders are not just ignored, they are actively discouraged. This would not be so terrible, if not for the fact that Troy Duffy, the mastermind behind the “Saints,” decided that the only way to appease his fans would be to simply make the movie again. So we have the two boys who plot to kill bad guys based around action flicks they’ve seen. We have the hilarious, vaguely ethnic sidekick (the last one got offed in the first film). We have the religious imagery, the filthy dialogue, the stylized shoot-outs and a wily Southern FBI agent with a feminine drawl. There’s even a reference to rope- one of the first film’s best gags.

All-in-all, it’s less a movie and more of an inside joke. And as we all know, boys and girls, inside jokes are only funny to the ones who know what you’re talking about. For those who are fans of the first film, this will be a welcome diversion. Duffy is a truly wonderful screenwriter, and his dialogue clips along at a good pace. Reedus and Flanery are excellent; it’s as if they’d just stepped off the set of the first film last week. And I really did enjoy watching Benz take a luscious bite out of the scenery around her. There are surprises too- and if I spoiled any of them I’m sure I would have gold coins on my eyes by the end of the week, so let’s move on.

But if you don’t know what I mean when I talk about gold coins, or rope or that wicked funny scene with the cat, then chances are “Saints II” will only leave you slightly dizzy, and more than slightly confused. As for me, a die-hard fan of yore, I suddenly realized that somewhere between 16 years old and today, this movie had lost its cult status in my heart. It was still a good movie, sure. So is the sequel. But in terms of my devotion, I guess I’ve been deprogrammed.

Here’s everything you could ask about “Boondock Saints II: All Saints Day.”

Information provided by the studio.

Apparition and Stage 6 Films
present
The Boondock Saints II: All Saints Day
Screenplay by and Directed by Troy Duffy

Main Cast

Sean Patrick Flanery: Connor MacManus

Norman Reedus: Murphy MacManus

Billy Connolly: Poppa M

Clifton Collins, Jr.: Romeo

Julie Benz: Special Agent Eunice Bloom

Peter Fonda: The Roman

Judd Nelson: Concezio Yakavetta

David Della Rocco: Rocco

Bob Marley: Detective Greenly

Brian Mahoney: Detective Duffy

David Ferry: Detective Dolly

Official Synopsis

“Boondock Saints II: All Saints Day” is the much-anticipated action sequel from Apparition and Stage 6 Films that picks up ten years after writer/director Troy Duffy’s THE BOONDOCK SAINTS, the tough, stylized, vigilante-justice saga that captured a massive cult following.

“Boondock Saints II: All Saints Day.” opens with fraternal twins Connor and Murphy MacManus deep in hiding in Ireland with their father, the enigmatic and notorious Il Duce from the first film (now known as “Poppa M”). The MacManus family has been living on an isolated sheep farm, as fugitives due to the slayings they religiously and notoriously perpetrated on Boston’s criminal underworld a decade before, including the very public execution of the city’s biggest crime lord. But the brothers have never forgotten the city they left behind, and when word that a beloved Boston priest has been slain and the killing made to look as though the Saints are responsible, Connor and Murphy cut their hair, dig up their rosaries and guns, suit up in their signature pea-coats armed with their .9MM and bid goodbye to their ailing father and smuggle themselves back to Boston to hunt down the real killers. Once again, they mount a violent and bloody crusade to bring justice to those responsible. This time they are aided by a Latino named Romeo, whose connections with the powerful “underground” Hispanic mob will help the brothers wreak revenge on the real killers.

The screen is filled with kick-ass gunplay and stunts throughout as the brothers take us on a roller coaster ride through the streets of Boston. Working the case are Boston detectives Greenly, Duffy and Dolly from the first film, who are sympathetic to the Saints (and complicit). They are joined in the investigation by the street smart and sexy FBI Special Agent Eunice Bloom, a protĩgĩ of FBI Special Agent Paul Smecker from the first movie.

As the central action unfolds, the film reveals a deeper mystery that gives insight into the MacManus family’s legacy of violence, with twists, turns and flashbacks to characters from the first film that help deepen the audience’s understanding of the complexities behind the vigilantes’ motives.

The film has been rated R by the Motion Picture Association of America and has a runtime of 117 minutes. The film will be released in select theaters on October 30.