“History Repeating” does three things exceptionally fine this time around. First, it balances the continuity by tying up loose ends from plot-points as far back as episode, “Night of the Comet.” Secondly, the tone is spot-on with its chilling moments reminiscent of a good old horror film. Lastly, it’s all about the acting! There was definitely more of an ensemble feel, and stands out as some of the best of the series so far.

There was a bit of everything, from Caroline taking the initiative with Matt to Bonnie’s final scenes out in the woods. Truthfully, everyone was on their A-game, even Jeremy who manages to show a different side apart from his doldrums. Without the trappings of melodrama easily found in other vampire niche franchises, we not only found out more about the supporting characters, but also saw what they’re really made of in the face of danger. There was really a major underlying message about trust and loyalty in this episode.

We have witnessed the quaint Mystic Falls transform into a place of imminent danger after the arrival of vampire brothers, Stefan and Damon Salvatore. This all ties in with the romance angle between the Salvatores and Elena Gilbert – whose uncanny appearance to their “maker” attracts them to her. Yet beyond the vampire love story are a number of gripping subplots; mainly the development of Bonnie Bennett’s (Katerina Graham) magical powers, and the secret society of townsfolk hell-bent on taking down some vampires.

Without holding back, the episode begins as Bonnie sits in science class with an expression of complete boredom. This all changes as we see a figure passing along the dark hallway. Bonnie notices it, and we see it is her ancestor Emily – recognizable by the portrait shown previously to Bonnie by her grandmother. The atmosphere takes an eerie twist as Bonnie follows Emily out the classroom and into the hallway where she receives a haunting message. It becomes apparent this is a nightmare within a nightmare as Bonnie notices Emily sitting in class beside her.

But not everything is a dream. The reality of life in Mystic Falls hones in on a new face, Alaric Saltzman (Matt Davis), who, despite his charm and specifics on pronouncing his name, dons a “garish” ring like Stefan and Damon. Elena and Stefan are forced together by circumstance once more, and Damon makes his move for his “precious” – an amber crystal amulet.

The critical point hits its limit when Caroline suggests the idea of a séance to Bonnie and Elena. Because it’s always a great idea to conjure up spirits when your best friend tells you she sees dead people, right? Although the mayhem that ensues is quite predictable, the fear came off as real. Katerina Graham really shines in this episode and there’s nothing better than when we get a bit of paranormal activity by way of possession from dear old Emily. The direction of the scene where doors are slamming while Caroline and Elena desperately try to get Bonnie out of a trapped room is something to remember.

Coinciding with the séance, we get some brother bonding moments as Damon and Stefan meet up on the football field. It’s odd seeing these two actually get along, despite ulterior motives. The chemistry between Paul Wesley and Ian Somerhalder as brothers onscreen gets stronger and stronger. It was nice to see a bit of a nod to their previous football play in the flashback episode “Lost Girls” reenacted in the present on a much larger playing field. But the moment is short-lived as we later discover Damon’s goal in returning to Mystic Falls.

It turns out that the literal alignment of the stars – the comet – along with the power of the crystal will allow Damon to bring Katherine back. The second shocker turns out to be that the 19th Century undead vixen was not killed after all in the notorious fire. In fact, she was protected by the magic of Bonnie’s ancestor, Emily. Damon is determined to bring Katherine back at all costs, declaring he knew their sire better than Stefan ever could while they were together.

But the best moment comes with the showdown between Damon and Bonnie – whose magic goes into overdrive with her possession by Emily. In one scene she throws the eager vampire into a tree staking him in the gut. She will not allow him to unleash Katherine despite their pact: Damon saves her children, and she protects Katherine. As Emily conjures up a fiery pentagram, Damon helplessly tries to stop the possessed Bonnie from destroying the amulet. Without a moment to spare, the crystal is sent into the air and shattered into pieces. Held back by Stefan, Damon is unable to control himself and lunges at a weakened Bonnie, who falls after Emily completes her mission.

Elena, who also arrives at the scene, is horrified by the turn of events. Damon nearly rips Bonnie’s throat out, but is stopped by Stefan who later feeds Bonnie his blood to heal her. When Elena asks Stefan if Bonnie will suffer the same fate as Vicki, he reminds us that only way to become a vampire is if you die shortly after being bitten and drinking a vampire’s blood. Something to remember, as the series continues to prove no one is entirely safe.

The final scenes of the episode move in a series of montages set to the music from The Bravery. Without dialogue we see a heartbroken Elena finally reveal the truth to Bonnie while dealing with her breakup with Stefan. We see Matt and Caroline make inroads with a bunch of snacks and laughs. Once again, appearances are deceiving as we end the night with the stunning cliffhanger. As Jenna Gilbert (Sara Canning) cleans out her items reminding her of Logan Fells (Chris J Johnson), her ex and recent victim of Damon, there is a knock at the door. Stand at the threshold is none other than a very undead Logan asking Jenna to invite him into the house.

No, we weren’t allowed to ask about “Saved by the Bell.”

QUESTION: What made you want to be a part of this show?

Tiffani Thiessen: Ever since I read the script, which has been a little over a year ago now, I fell in love with it. I fell in love with the characters. I fell in love with the show, and more and more, when the cast was brought together, the more excitement I had for the show and wanting to be a part of it. This is really the first time I feel like in my whole entire career which has been over 25, 26 years of doing this that I finally feel like I’m kind of playing a role a little closer to home for me, which is kind of exciting.

QUESTION: Was there instant chemistry when everyone began working together? I know you’re very close working together with Tim and Matt as well.

TT: We are, from day one. I of course had met Tim through the testing process of us being put on screen and doing our scenes together, and we had chemistry from day one. I absolutely adore that man and then met Matt, actually, after we had already started shooting the pilot. We actually were on the same flight going to New York to shoot the pilot last year.

Then Willie Garson I actually had known just being in the business for so long. We had met prior, and I’ve always really enjoyed him and loved him, so I was really excited to know that it was actually really kind of a special cast that we were putting together. I couldn’t be more thrilled with everybody I’m working with. It’s really a nice group of people. Being away from home, it makes it so much nicer when you actually like the people you’re working with.

QUESTION: It feels like there’s more to your character than what we’ve seen. We almost feel like maybe she’s hiding something. What sort of background can we expect as we move along?

TT: I think you’ll start to see background on all of our characters, especially the guys. Surely, this show is definitely the guys’ show. It’s Matt and Tim’s show, and Willie and I definitely play more of a supporting role, but you will definitely see much more of me in the further episodes as you’re coming along. Last week or two weeks ago you saw a little bit more of what I really do for a living and kind of my career, which is really nice to kind of see because we really never saw that in the pilot, and it was something that we kind of came up with actually after we shot the pilot.

They’re definitely putting more of what I do outside of my relationship with Tim into the show a little bit, and that’ll continue on even, hopefully, in seasons from here on out, which hopefully there’ll be five to ten years of White Collar. In general, I can’t give you exact specifics, ideas of what’s going to be happening, but I can promise you you’ll see a lot more of her.

QUESTION: What about any sort of action scenes. Do you get involved in any of the sort of cops and robbers element of it?

TT: I don’t think so. It’s really not part of my character and my storyline in this show. Again, I’m definitely a supporting role, especially being that I’m the wife of Tim’s character, but you will see a lot of a triangle in a sense of what I can do and help with Matt’s character as well, especially, I think, when it involves the storyline of Kate. You’ll see that a lot as well.

QUESTION: As a first-time mother, how do you think that it will play out balancing your roles and responsibilities of motherhood and your part on White Collar?

TT: You know, that’s a very good question in the sense that I really don’t know being that I am a first-time mom, so it’ll be a very different kind of thing for me being that I’ll be working and being a mother at the same time. There are millions of people who do it. My mom did it herself, so I know I can handle it, but it’ll be a very new experience, so it’s hard to say what is going to be like. It’ll be all brand new for me.

QUESTION: Is the onscreen relationship between you and Tim’s character, Peter, seems to be loving, but also a bit strained by his professional commitments. Now, with the charming and charismatic Neal Caffrey entering the picture, how do you think this partnership will affect Elizabeth and Peter’s marriage as the show develops?

TT: I don’t know if I would actually use the word strained. I think in every marriage there’s always the challenge of making time and making priorities in their relationship when people have careers, and what you will start to see more and more is my career, being that it takes up a lot of my time as well. I think it’s going to give a lot of, not so much looking into Peter’s career and how it affects our marriage. There’s also my side of it as well.

I think she is very understanding to that. She’s been living with it for so long and knows what he does for a living, and she knows what she married. I don’t think there’s a strain to it. I think there’s a challenge. I think probably the challenge is the word I could use for that. I think what Neal brings into it is that I think my husband on the show is very kind of black and white in the way he thinks, and I think Neal is definitely much more colorful, and I think he will definitely teach my husband a little more of the colorful side of being romantic and all those things that you do need in a marriage as well.

QUESTION: I know you did a short film a couple years ago that you directed, and I wanted to know is that something you still want to be doing? Is there a chance maybe you could direct an episode of White Collar?

TT: I do. You’re so sweet. Yes, they definitely know directing is something that’s in my thinking of wanting to do more and more, and it all really just depends on time and all that. I wanted to make sure that when we started the show my focus was on my character and what I’m doing as an actress. Now with my new role coming as a mother, it’s going to be a little more challenging, but it’s definitely something I want to do more of, so yes.

QUESTION: You’ve been in the business for a long time since you were very young. If you weren’t in the entertainment business, what else would you want to be doing?

TT: It’s so funny. Last year when we did the pilot, we really didn’t know what Elizabeth’s character was going to do for a living. They had some ideas, and they kind of changed it, and then I had come to Jeff Eastin, our creator of the show and said, you know, it’s funny. I think it could work, but it’s something I’ve always wanted to do if I wasn’t an actor. I’d always wanted to be an event planner, and I think it could work really well for Elizabeth’s character being that she’s in New York City. We could really show the city in a different light, and they loved it. I have to say funny enough, that was my idea, and that’s exactly what I would do if I wasn’t an actor.

QUESTION: What would you say to those that haven’t seen White Collar yet to convince them to watch?

TT: Oh gosh, well, besides having really cute guys on the show, it’s definitely the type of TV and movies that I like to see. I’m a huge fan of The “Thomas Crown Affair” and those kinds of feels of movies and shows and 48 Hours, which is so interesting, Catch Me If You Can, things like that. If people are really into those kinds of movies and those kind of story-telling, they have to watch this show. It is so absolutely entertaining. The characters are so rich and so fun to watch and follow.

As well as you see New York City in a completely different way. It’s shot in a beautiful way. It’s interesting, a lot of shows that are shot in New York City can be a little more dark and gray, and this show really, I think, kind of captures New York City in a really beautiful light, and it’s nice.

QUESTION: You’ve played a wide variety of characters. How do you think these roles have prepared you to play Elizabeth Burke?

TT: It’s funny. I think I’ve made this statement before a few times, but it is really true is that this is the first character in over 25 years of me doing this that I actually feel like it’s the closest to me that I’ve played in all the different shows and movies that I’ve done in my career. I think it’s more about myself and my own experience that I can bring to Elizabeth. She has this really solid wonderful marriage. I feel like I have that with my own husband. She’s career-driven, which I feel like I am. It’s all those things that you put towards a character like her that I feel that are definitely very much me.

QUESTION: USA Network has some big hits out there right now. How does it feel to be a part of the network?

TT: Absolutely exciting. I tell them this all the time that I feel blessed to be on such an amazing network. This is the first time I’ve ever done a cable show, and I’m utterly thrilled and over-the-moon with the fact that they’re so supportive and they’re so behind their shows, and they really do give such a great chance of us really trying to make it. It’s nice. It’s nice to feel like we’re really wanted in a sense and really have a lot of passion behind us. It’s a lovely, lovely feeling.

QUESTION: You mentioned that Elizabeth is the closest to your personality. Do you know if your pregnancy will be incorporated into the show?

TT: I don’t know. That’s actually going to be up to the writers and the executive producers and USA and Fox and everybody involved. I’m going to be still somewhat not too pregnant along when we’re finally coming to the end of the season. We really don’t have too much more left, so it’s really up to them if they want to. I’m open to whatever they feel. We tried to time it to a certain degree so I wouldn’t show too, too much.

QUESTION: We’ve also grown up watching you as you’ve grown up in front of the camera. What’re the challenges that you have if any in creating a new character knowing that you have a career behind you?

TT: Yes, well, it’s bittersweet at times. There’s good and bad. There are people who of course followed my career and who have loved the shows that I’ve done in the past and are always up to seeing something new of myself or any of my past co-stars, which is really wonderful. Then there’s always people who have opinions, and of course, that’s how the world works, and that’s A-OK.

Some people were really open and loving to the fact that I’m actually playing a role that’s quite different than what I’ve played in the past. Like I said, it’s definitely much more close to home for me, this character, but some people had a hard time with it. Some people didn’t believe the relationship between Tim and I, which is so funny to me because we had chemistry from day one, but that’s how the entertainment business works. That’s how people are, and that’s okay. Everybody has their opinions.

QUESTION: Well, we’ve seen on the show that Neal has escaped from prison for love. What’s the most romantic thing a guy’s ever done for you, and then maybe what is the cheesiest thing a guy’s ever ….

TT: Oh, gosh. Well, my husband himself is definitely romantic. I mean, he is romantic almost every day whether it’s leaving me cute little notes somewhere throughout the house or the way he proposed to just the day we got married. He was amazing and romantic in everything he did, so I’m blessed to have a husband like that. The cheesiest, God, that would be really hard. I wouldn’t want to out anybody because I feel like anybody who wants to put themselves and their heart out there is a wonderful thing, and we shouldn’t put them down for it, right?

QUESTION: You’ve been on a few shows that have been a little short lived in your career. What makes White Collar something you think can surpass a couple of seasons?

TT: Well, I think a few reasons. People are already enjoying it. We’ve had a lot of great feedback and a lot of great critics really loving the characters and the storylines and the show and us on it, which is exciting, the fact that we are on a network like USA. They are so behind us, and they really put us out there, and it’s nice to have the passion behind us because I think that helps a lot. These network shows, sometimes they don’t give it a chance, and it’s nice to know that we have somebody who’s really given us a chance. I think we, knock on wood, I think you’re going to see us for awhile.

QUESTION: On television, there tends to be a fine line between that perfect supportive spouse that’s believable and the one that is so over the top that you’re like, no one in this world exists quite like this, and you are actually doing a wonderful job being that supportive spouse that we definitely believe. How do you strike that balance, and how do you plan to keep it going?

TT: Thank you so much first of all. That’s very sweet of you to say. That means a lot to me because I really try, and Tim and I both have long talks about this as well as our creator, Jeff, that we really wanted this to be a relationship that does work on TV, not one that has a lot of problems, not one that you constantly see drama, which you see a lot on TV.

Funny enough, Tim and I come from marriages that work, that really do work like that, so I think we really take it from just our own experiences. Tim’s been married for quite some time to a wonderful woman and has two great kids. My husband and I have this wonderful relationship and humor has a lot to do with it, communication, all those things I feel that are so, so important. I take those just being from my parents who’ve been married for over 45 years. My grandparents were married for 67 years. It’s important, so I feel like I take from my own life and really try to bring what I can to the relationship and the characters.

QUESTION: Have you had a favorite moment so far, either one that’s coming up that we can keep an eye out for or one that’s already been aired?

TT: Wow, that’s hard. I think there are a couple episodes coming up that I’m definitely a little heavier in, which is kind of nice to really get to explore my character a little bit, but each episode is so exciting and so fun, and it’s such a ride that it’s hard for me to pick out one more than the other or one little bit more than the other. That’s a hard choice. I have to think about that a little longer, and I know we wouldn’t have time.

QUESTION: What kind of pressures do you think that women or you, yourself, still face as far as looks and beauty pressures and things like that?

TT: You’re right. It’s all there. It will never go away. I don’t think our business and the entertainment business in general will ever just be okay with how people are. I think we’re in a business that critiques everything we do, and you kind of just take it with a grain of salt. I look at my grandmother, and I think she’s aged beautifully, so I hope that I could be a smidgen of how she’s aged.

There’s nothing you can do. All you can do is take of yourself and do the things that make you feel good and make you healthy and age appropriately, but there’s always going to be people out there are going to say something, and there’s nothing you can do about it. Like I said, you have to take it with a grain of salt.

BLAST’S CONCEPTION ALLEN: You mentioned that you had some influence on the career of your character. That being said, are you going to be able to also provide future input into shaping and developing her as well? I know that the producers and writers have the job of carrying that out, but would you have a chance to put some input into that?

TT: It’s interesting. We are very lucky to be on a show (and that’s all of us across the board) that our executive producers and writers are very open to anything we have to say, which is so nice because not a lot of shows are like that. They believe a collaboration always works best, and not that we are there writing the show, nor is that what we’re supposed to be doing, but they’re always very open to any time we have a question or concern or have an idea, they’re always open. It’s nice to be able to get on the phone or sit down with them and talk with them about it, and we all feel that way, which is really great.

BLAST: Your character is one of the, obviously, highlights of this show. Will we have, I know you said that she won’t necessarily be doing the action.

TT: No, I don’t see that unless something changes, but who knows. I don’t see it, though.

BLAST: Will we see maybe a centered episode around her, perhaps, maybe?

TT: I don’t know. That’s a question that really I can’t answer. Again, I say the show really is Matt and Tim. It’s their show, and it was from day one. I knew that coming in. I came in knowing that this role was supportive, which I was completely happy with.

It’s funny. I’ve been doing this for so long that I was actually okay not having to work every day and having the weight of a new show on my shoulders. As well as I really just fell in love with this character, and I fell in love with the cast that they started to put together, but you’ll see definitely, there’s an episode coming up that I’m much more heavy in, and you’ll see that every now and then that I’ll be a little heavier in certain episodes. It’s not something you’re going to see every week because, again, it’s not my show. I’m a supportive role on the show.

In a press released today from the network, it revealed, “The freshman hit THE VAMPIRE DIARIES…saw the largest primetime viewership increases (on a percentage basis) of any network in target demographics of women 18-34 (52 percent), adults 18-34 (53 percent) and total viewers (38 percent).”

This is a huge upswing in light of the recent cancellation of another pilot series, “The Beautiful Life” which detailed the inner workings of the modeling world. But what adds to the appeal of “The Vampire Diaries”?

Despite the popular topic of vampires as seen in the upcoming movie “Cirque du Freak: The Vampire’s Assistant” and spoofs from comedian Andy Samberg, the beautiful undead of “Diaries” has a lot more going for itself than a trend.

The awful truth is the fact the show had a lot to live up to in order to gain viewers, especially after the backlash of “Twilight” and “True Blood” comparisons.

Yet, a surprising thing has happened since the pilot of “Diaries,” and it might be the reason that the show is still “alive.”

The key to the series’ success has been its ability to build a good framework of storylines around the supernatural elements. Sure, it’s still a vampire love story, but it isn’t held down entirely by that. As viewers, we have been given insight to the town of Mystic Falls, and the close knit relationships between the locals. Then we have the more dramatic leading plot of Stefan and Damon’s conflict about the outcome concerning Catherine. And the continuity of the episodes has been very tight relying more on an overall arc rather than a stand alone episodes. So, yes, you have to watch the show to a degree to follow it, however, if you are a new fan, the episodes are entertaining enough to enjoy.

There is also a matter of the acting, which gets better and stronger with each episode. It’s refreshing to see the cast gain more confidence onscreen as they slide into their characters. Ian Somerhalder, whose performance in the latest episode “Friday Night Bites” did everything to solidify his dominance over the character of Damon Salvatore. There was a lot more subtlety in showing Damon’s decisive nature, and there was no remorse in his eyes as he tore at his latest victim in front of Stefan. Somerhalder hits his scenes spot on between being vicious, playful, and even sentimental. One of the highlights from last week was a scene between Damon and Elena where she apologizes about the deceased Catherine. They share a hypnotic, uncontrived, meaningful look.

It’s clear that the unspoken moments, where viewers can draw their own conclusion, will continue to draw in more viewers rather than some force-fed plot device. It’s all about suspense and how a show works the balance of plot and tone. What the producers of the series have done is take an objective look as to what works with the series. One of the best examples is in the musical soundtrack, something of an nuisance for viewers who have complained about its heavy-handed presence. The more recent episodes have shown a significant decline in lyrical songs, and more of a thematic instrumental tone.

Watching a show grow isn’t something that always happens with pilot series, but if done right, it’s a fun ride.

In tonight’s episode, “Family Ties”, the conflict between the Salvatore brothers continues as the Founder’s Dance takes center stage. So expect a lot of the same dark undertones with a bit of romance in-between.

“The Vampire Diaries” is easily one of the few new fall series’ that has done right by its viewers by giving us something worth looking forward to each week.

Finally, there is the issue of Tilly’s brother, Grady Funk, portrayed by David Koechner, who some fans may recognize from NBC’s “The Office” and most recently the film “Extract,”

As one of the final sets Blast visited in Burbank recently, we caught glimpses of a few scenes being shot before we sat down with Grammer, McGraw and Koechner to discuss the show.

The first question we had to ask the cast was: What brought them all together for this project?

“For the last year or so I was thinking about returning to television again, and trying another shot after ‘Back to You,’” said Grammer. “I looked at television and thought to myself, the only thing missing in television these days is the traditional family show that has everyone living together, mother, father, and the kids, you know? Then I met Tucker (Cawley) and he had this loosely phrased idea about a guy who had fallen down from a big perch and was moving down to Virginia.”

Blast was able to see the final pilot episode shortly before our meeting, and we wondered if the physical comedy aside from the witty dialogue would be part of its style.

“Melinda’s stuff is high farce. This week we shot some things in the woods,” Grammer laughed.

“I think a lot of the behavior just ends up physical,” McGraw added. “So, a lot of times if it’s not written in, if it becomes physical because of how we are covering for ourselves and each other. I think there’s a lot fun stuff, and there’s some things that are a little broad.”

We may just see a bit more into Tilly’s side of the family, whose southern roots brought them to Virginia in the first place.

“Well we get (Grady’s wife) and a couple of kids. I don’t know how many.” Grammer said. He also explained more about the relationship Hank has with his brother-in-law, Grady, a man who has no problem reminding Hank of the reasons he’s in Virigina.

“This relationship will be to always antagonize one another,” Grammer said. “And she secretly is a party to it all because he and she are brother and sister. But the key relationships are here (in the pilot).”

“So far we’re exploring the world of the family, the extended family,” said Koechner, “and then probably the town, and the state, and the nation.”

And what of the kids on the show? In the pilot, Maddie clearly has her issues with daddy, and a boyfriend of sorts. “Oh we’ll be dealing with the boyfriends, I mean she’s only 17,” said Grammer emphasizing the plural.

“What’s great is that it’s a modern father daughter relationship. It’s not one of the corny ones that doesn’t exist,” Koechner added, saying that, these days, teenagers go through things much faster than a decade ago.

“There are real moments, and hopefully in the end everyone is going to grow up a little,” said Grammer. “They’ve had one life they thought was pretty well set, and it changed. That throws everyone into a tailspin.”

“And it was a rare existence that you don’t really have,” McGraw chimed in, “and I do think an interesting dynamic in the triangle (between Hank, Grady, and Tilly) is that in-between them, I might come back to her old ways. Throw back a couple of beers with Grady. Or I’ll push against them. Hank has that American (perspective) of starting from nothing and making something new, kind of pulling up by your bootstraps. And the realities of how those ‘bootstraps’ are different than twenty years ago.”

We closed by asking the trio to tell viewers why they should watch “Hank” this fall.

“I think the show has an identifiable character that everyone can relate to, that’s just like so and so,” said Koechner. “And it’ll definitely get people to laugh. It comes from a place of honesty and truth. It’s not just manufactured. The writing is good, and makes me laugh out loud. And finally, well, I just love Kelsey Grammer!”

“Oh, I can’t fight with that!” Grammer replied.

“I think it’s a relief to watch a show where you see people going through such changes because it makes you feel like you’re not the only ones,” McGraw added.

“And this is a show, the whole family can watch it, and it’s not a kid’s kind of show.” said Koechner.

“For years, I’ve heard people tell me that Hollywood doesn’t make shows for (the family) anymore,” Grammer said, “and this year, Hollywood does.”

Catch Grammer, McGraw, Koechner and all of “Hank” every Wednesday at 8 p.m. on ABC.

So perhaps it’s fitting that her emergence on the big screen would come in the remake of the classic film “Fame,” a story of hard work and big dreams. Set in a New York school for performing arts, the original 80s musical gave audiences an eyeful into the competitive world of theater, dance and music.

In finding out more about the film, Blast spoke with Payne on her experience on the set as well as the dancer’s decision to take up acting.

BLAST: How did you land this chance in working on the film? What was the process?

KHERINGTON PAYNE: Being on the show, “So You Think You Can Dance,” the filmmakers saw me on the show. They wanted dancers to audition, a bunch of dancers actually. So I ended up going for it, got a callback, and a week later I got the part. So it was very cool seeing how “So You Think You Can Dance” can open doors for you.

BLAST: What was the difference for you going from each week of “So You Think You Can Dance” to the film set of “Fame?”

KP: They were both stressful difference experiences, but both very relateable working with these great choreographers and then to these great actors.

BLAST: And were you familiar with the original movie “Fame” before doing this project?

KP: I’m familiar with the movie, but not a die hard fan because I wasn’t born in the 80s. I definitely love it. I went back and did my research once I got the part.

BLAST: You play the character of Alice on the film, she’s a bit of a firecracker, that one. What part of you connects with her?

KP: Yes, it was really fun playing Alice. She’s not completely stuck-up even though she’s very upper class. But it was easy playing her because her dreams and goals, the hard work she puts into dancing is exactly like mine.

BLAST: And what was it like working with the different cast members in the film because it’s very much divided between acting, singing, and dance? How was integrating your time with each of them, was the transition fluid?

KP: It was very fluid, and we worked off of each others talents. And to watch some of them sing was amazing because I can’t sing, it’s amazing. We’re all very supportive of each other. And worked off each other very well.

BLAST: It must seem surreal, like life reflecting art, considering “Fame” is about achieving your dreams, and you’re kind of at that place right now.

KP: Yeah it’s very surreal. And all of us are very much like our characters, and have the same dreams. And we (the cast) all have wanted to be these great dancers, singers, and actors. Our characters are very much the same way. And it’s very surreal for me that I’m in this position right because it’s exactly how I went through it.

BLAST: And amongst your cast members, who did you bond most with while filming? I know that not all the different talents’ storylines overlap.

KP: Yeah, you can’t film with everyone. It’s not a film about ten best friends. (laughs) You’re filming with certain people throughout the film. Most of my scenes are with (actor) Walter Perez (“Victor Taveras” in the film. And I got really close with him, and mainly because he’s my love interest in the film. We became really good friends, I spent most of my days on the set with him. But everyone else, we all got along well.

BLAST: With a lot of different high profile names like Debbie Allen, in the film, was there ever a moment where you felt starstruck?

KP: Starstruck for sure. And all these great actors in the film, we all aspire to be as great as them. They were approachable, and sweet and an honor to work with these people.

BLAST: What are your favorite moments in the film?

KP: I definitely think “Black and Gold,” It’s a dance I perform in the film, it’s kind of Alice’s big senior dance number. And it was so much fun to work on and film. It’s a really entertaining moment in the film.

BLAST: You grew up in southern California, and California is known for arts and entertainment. Were you as competitive growing up as your character Alice?

KP: I grew up in Orange County. The competition (there) in the dance world, there are so many talented dancers. It’s kind of like a small community of dancers, and there’s so many studios. You grow up with these kids, going to the same competitions and it’s very competitive. So I can definitely relate to the characters in “Fame”, how competitive it was to get into that school.

BLAST: In the previews there have shown you doing different kinds of dance. What is your favorite kind of dance?

KP: On the film, I felt more connected as a Jazz dancer than a contemporary dancer. But my strong points are both contemporary and jazz. In the movie, I felt like I was more of a strong jazz dancer.

BLAST: This is the first time people will get to see you do some acting. It must be somewhat of a challenge since it’s still new for you.

KP: Dancing is like acting, but it’s on a whole different level. It was challenging for me, but it was a great learning experience for me. It made me realize I have this new passion for something.

BLAST: And so with acting, is that something you’re going to be doing more of?

KP: Definitely. I’m nowhere near where I want to be in my acting career, but it gave me a start. It opened my eyes to see what else is out there. I’m definitely going to be taking acting classes, and getting a coach then buckle down.

BLAST: Any particular area of acting you feel drawn to?

KP: Honestly, because this is so new to me, I want to try everything. And I haven’t found what works for me, or what my favorite (type) is right now. With genres, I don’t know, I like romantic comedies and actresses like Cameron Diaz and Reese Witherspoon. I love them.

BLAST: “Fame” is about big dreams, and there are a lot of people out there who will watch this movie and hope to be where you are right now. Any advice for them?

KP: Do not get discouraged, if this is something you really want to do whether it’s in the performing arts or not. Don’t let anyone else tell you otherwise. You have to really work hard at it. If it’s your passion. You have to put the effort towards it, and hard work. It’ll better your chances in the future.

“Fame” is in theaters now. It and also stars Kay Panabaker, Walter Perez, Debbie Allen, Kelsey Grammer, Naturi Naughton, Anna Maria Perez de Tagle, Bebe Neuwirth, Charles S. Dutton, Asher Book, Collins Pennie and Megan Mullally.

The plot surrounds 2 minutes and 17 seconds, when people all over the world inexplicably experience a power blackout at once. As if things were not eerie enough, survivors of the event discover they have caught glimpses into their own futures, a flashforward. With such such a dramatic and mysterious start, it’s easy for someone to label it offhandedly as a sci-fi series, when in fact the only really surreal element is the blackout itself. After previewing the pilot earlier this summer, it became clear that the driving force will be how individual people take charge in shaping the future. Will some of them fulfill their futuristic visions? Or will some change it?

After the debut of the series, there is no doubt that most viewers will be asking the same questions.

After a series of set visits, our meet up with the cast of “FlashForward” took a different spin. Upon arrival we immediately crossed the threshold of what is the interior of the federal building. The set is impeccable and very see-through, as glass windows encircle the room leaving little room for hiding out.

We sat in a tucked away office on set with Courtney B. Vance (Stan Wedeck) and Christine Woods (Janis Hawk). Both actors said they were excited about the new series.

The cast also includes Dominic Monaghan (”Lost,” “The Lord of the Rings”), John Cho (Harold from the “Harold and Kumar” movies), Sonya Walger (”Lost”), Genevieve Cortese (”Wildfire”) and Jack Davenport (”Swingtown,” the “Pirates of the Caribbean” movies). The series is produced by Marc Guggenheim, David Goyer, and Brannon Braga.

We wondered how each character’s “flash” would play out.

Courtney B. Vance stars in FlashForward (Blast staff photo/Conception Allen)

Woods added, “And it’s interesting because, as an audience, for some flashes, you know what’s going on. You’ve seen the flash, and it’s interesting to watch the way they are or are not forthcoming to other (characters). It’s like you get to watch some people lie about it, but as an audience you know.”

And while both actors may not always know what to expect for their characters, they conveyed to us their thoughts about it.

“Well, you can’t prepare for what you don’t know, really.” Vance said.

“For me, I kind of like not knowing because in that way you can be in the moment. To not have these (expectations),” said Woods.

When we asked further about working with an ensemble, and whether characters’ storylines overlap at some point, it was interesting to find that for their roles, they’re spread out a bit more.

“Are you in this episode?” Vance turned to ask his co-star.

“I’m in episode eight.” Woods replied.

“Yeah, see I’m in episode seven and eight. I was crazy in episode five, and a little in six.

So I relish the idea that there will be some times when we’ll be absolutely crazy. And since we’re doing two or three at a time (episodes), it’s especially crazy on all of us.” Vance concluded.

“And I think because it’s two episodes (filming) at once, I think it’s a lot easier for them to keep secrets from us,” Woods said. “Because it’s such a puzzle, the way that they shoot the series with so many people, you look at the schedule and it’s confusing. Even if you’ve read the script.”

Vance added, “On top of the fact we may be shooting one, and reshooting another one. So continuity wise, it’s hard trying to get a sense. On Thursday we were shooting four and five, then reshooting five and six. So it’s just crazy.”

Vance with Woods (Blast staff photo/Conception Allen)

For the cast of “FlashForward,” it’s easy to see the friendly vibes among them are mutual, where big egos don’t seem prevalent. As a veteran on stage, and recently part of “Law and Order: Criminal Intent,” we asked how Vance felt taking up the role of FBI handler Stan Wedeck, another character in law enforcement.

“For me it’s different because in ‘Law and Order’ there was no characterization. You’re just the facts man. This is refreshing because we’re all (together), and we’re all involved,” Vance said.

“And we are all so personal,” Woods said. “We take it to the personal side of things because it is really a mystery show, an investigative show. These people are what essentially make it.”

While the hype is still out there about the series and fans anticipate its premiere, Blast says the show is much more than a sci-fi series. FlashForward is more about the human elements that make you care about those characters onscreen.

This is the first of our two part feature covering “Flash Forward”. Coming up, more details about the series after the pilot from the series producers, plus more with Courtney B. Vance and Kristine Woods and our interview with Joseph Fiennes.

Walking around the center of the town Eastwick may set off a series of deja -vu moments as the setting was once the famous Stars Hollow of “Gilmore Girls.” Yet, the little details that made Stars Hollow comfy and safe are the same elements that give Eastwick the small town feel necessary before all hell breaks loose.

The plot revolves around three women who become friends after a fated meeting at a wishing fountain. As each woman finds their desires being fulfilled, something wicked this way comes in the form of the mysterious stranger. Lindsay Price plays the slightly introverted Joanna Frankel (Susan Sarandon’s character type from the film), Jaime Ray Newman is the exhausted mother (Michelle Pfeiffer’s type), and Rebecca Romijn sets things off as the feisty Roxanne Torcoletti (Cher’s character type). Adding the finishing touch to the series is Paul Gross who plays the devilish character of Darryl van Horne (Jack Nicholson’s type).

Each main character on the show has fine detailed elements which accent their style. Joanna’s home is cozy with little touches of dragonfly motifs. It’s cozy, neat, and tidy.

Joanna's room in Eastwick (Blast staff photo/Conception Allen)

Then there’s the earthy design of Roxanne’s home where there are exotic accents which gives you the impression the girl has travelled to a lot of places; it’s very bohemian chic.

Finally there is Darryl van Horne’s demure home which seems like something out of a gothic novel with its dimly lit room and dark ambiance.

The magic on the series isn’t just in its triad of strong female leads. The landscape for the show does a great job in giving viewers somewhere fun to escape to each week.

“Eastwick” airs Wednesday at 10 p.m. on ABC.

Or it could have been the large number of children grouped together cheering that made the excitement infectious.

Whatever the case, “Modern Family” has the basic ingredients for immediate success, with its sharp dialogue and awkward comedic setups. Most importantly the series has several comedy veterans, the standout amongst them being Ed O’Neil.

Blast chatted with Nolan Gould (Luke Dunphy), Ariel Winter (Alex Dunphy), Sarah Hyland (Haley Dunphy), Rico Rodriguez (Manny Delgado) and Ed O’Neil (Jay Pritchett).

When asked about working on the series with such a large group, the overall feeling is mutual.

“Everybody’s nice,” Gould said.

“Ty (Burrell) is nice. The food is good, like craft services and stuff,” he added with a smile. “It’s just different working on a full time TV show.”

Asked whether the cast is as fun off the show as they appear onscreen, Gould smiled widely. “They’re always joking around, Eric (Stonestreet) and Ty (Burell),” he said. “They’re just goofy and fun to hang around. We even have our own secret handshakes.”

Meanwhile, Hyland reminded us she’s very new to this genre of work. “It’s my very first comedy. I usually do dramas and melodramatic stuff,” she said. “It’s a whole real new experience with the comedic timing.”

Despite being fresh to comedy, Hyland revealed, “We do a little bit of ad-libbing,’” she said. And as far as the tone, “I’d say the show is (a combination of) ‘The Office’ with a feel like ‘Arrested Development’. It’s great to be part of a show that incorporates the things you love on television into your work.”

Television isn’t Hyland’s only field. The young actress has Broadway singing experience. Blast wanted to know if we could find her showing off a bit of her vocal chops anytime soon. “Hmmm… maybe, I don’t know. I’ll have to talk to Steve and Chris about that, the ‘boyfriend’ in the pilot,” she said. “He plays the guitar and sings a lot. So you never know.”

“It’s really exciting!” Winter jumped in. “It’s different. It doesn’t take that much time, everything is set, and everybody is like boom-boom-boom let’s get this done right now. It’s really different than dramatic stuff where it’s like ‘let’s take it slow’.”

“I mean I have been on some comedy shows, but the first dramatic thing was on ‘NCIS.’ I thought it was cool because I get to play opposite myself,” Rodriguez said. “Then I got ‘Modern Family’ and I thought ‘hey, this is awesome!’ It’s not like anything else I’ve ever been on. And it’s opposite of my own character which is funny.”

And if you’re wondering how these two view their characters: “I’m the one to go off and follow the girls. I’m kinda serious,” said Rodriguez. “Sort of like a forty year old Antonio Banderas in an 11 year old body. If he decides something, that’s it.”

Winter sees her role slightly differently. “Well, she’s the more smart and cynical normal one. Everyone else is kind of crazy. On the show, my mom is about having everything done, my dad is a goofball. My sister is about boys and texting. Then my brother is just ‘slow,’” she said.

“Working with Ed O’Neil; it’s amazing. It’s like once we did the pilot we were like this family. I mean we’re only on our sixth episode, and I have secret handshakes with half of the cast already. And if you have problems with lines, he’ll go over it with you and Sofia (Vergara) too,” Rodriguez said.

“He’s really awesome, and since he’s already a comedy veteran he really understands what’s going on. He’s hysterical, and he’s so nice,” added Winter. “You don’t get that a lot with stars. You don’t get nice and really awesome.”

Finally, we capped off the visit to the set with a chat with O’Neil. What may surprise the public aside from his great skills in giving viewers a good laugh is his lack of ego. When talking about working with his TV family, particularly the kids, he had no problems expressing his admiration.

On the topic of being a mentor to his younger castmates, O’Neil said “It’s really been great. First of all, the level of talent is awesome. I’m amazed by them. I keep going ‘Oh my God, these kids are so good.’ As far as being a mentor, all I seem to do is try to keep up!”

If there’s any question to whether he prefers drama or comedies, the veteran actor commented, “It doesn’t matter. I have a theater background, and when you’re in theater you learn to take on anything.”

So what brought the veteran of “Married: With Children” back to primetime? “Timing,” O’Neil said. “I think I’m at a time in my life where I can relate, the things going on in his life.”

“Modern Family” is on ABC 9 p.m. Wednesdays.

Who are “The Forgotten?” If you’re thinking about the latest Jerry Bruckheimer project starring Christian Slater, you’re partially correct. The latest ABC drama set in Chicago puts a unique spin in its method solving mysteries. You see, “The Forgotten” also refers to what the show calls the Forgotten Network, an organization made up of average citizens attempting to crack cases outside the realm of law enforcement. Similar to real-life groups like Project E.D.A.N (Everyone Deserves A Name), where cases are posted online to the public for new leads, the series doesn’t skimp on working out the details. In fact, the look and feel on the set with its dim lighting, and dark earth tones helps add to the atmosphere of the series.

The first stop at visiting the show took us to the police precinct area. All the details authenticating its Chicago locale are found in its classic interior design. Possibly, the most significant element had to be the temperature on the set. If there’s anything Chicago is known for, it’s the weather, cold weather, which is nothing like the temperatures in Los Angeles during the fall. It would seem the production department spared no expense in giving its actors the feel of the Windy City. This is just one element which adds to the show’s promise in being a success.

Although the character of Alex Donovan (Christian Slater) headlines the series, he shares the screen with great actors alike who will undoubtedly captivate audiences with its premiere this week. In our continuing coverage, we sit down with the cast and producers as they explain how all the characters connect, and what to expect with the series.

Blast went on the sets of some of ABC’s hottest new shows. In a series called “On the Set,” Blast will showcase both a gallery of images and a set of candid interviews with stars like Kelsey Grammer, Sara Rue, Ed O’Neil and Joseph Fiennes.

The first piece comes later tonight with the premiere of “The Forgotten” by executive producer Jerry Bruckheimer, slated for Tuesdays at 10 p.m. This drama centers around a group of volunteer citizens who team together in solving John or Jane Doe cold cases outside the realm of law enforcement. The leader of the group is Alex Donovan played by Christian Slater.

Coming up later this week:

• Wednesday: Modern Family — The return of Ed O’Neil to primetime
• Thursday: Flash Forward — This season’s biggest show starts with a bang!

An episode like “Night of the Comet” is somewhat of a surprise when the vampire storyline almost takes a backseat to the more crafted human relationships. Sure it starts off as deja-vu, when yet another random couple is murdered one night, but while this acts as a nice plot device for Damon’s character, (Ian Somerhalder) it serves as reminder for us the danger at hand.

The first half of the episode ties up some loose ends by going through the aftermath of Vicki Donovan’s attack. We witness both her brother Matt, and Elena’s brother, Jeremy, check in on her. However, it’s Jeremy who steals the scene every time he’s with her. It’s a definite credit to the show in casting Steven R. McQueen who, despite a noticeable growth spurt since the pilot, provides enough wit and vulnerability necessary for us to connect with his character.

In the original book, Elena’s sibling is a younger sister. There have been doubts as to whether the changes would diminish the quality. Fans should rest assured because the deviations from the original all work in adding into the spirit of books; the eternal strength of love, and the act of finding redemption.

The director for “Night of the Comet,” Marcos Siega, doesn’t waste time working up the tension between Elena and her brother, Jeremy. One pivotal scene happens at the coffee house when Elena confronts her brother once again about using drugs. The blocking of the scene is tight, and just when you think Jeremy will say what we want to hear, he just takes off. Another scene stealer is Elena and Jeremy’s aunt, Jenna (Jenna Somers), a somewhat free spirit who finds she must adapt quickly to new responsibilities of being a parent to her sister’s children. Her presence in the episode adds the much needed humor to balance the brooding angst. The rants she makes while scouring for drug paraphernalia in Jeremy’s room is an episode highlight. The combination of all these scenarios is part of how “The Vampire Diaries” will continue to thrive this season.

On the romance front, Stefan and Elena continue to make inroads, but to her credit she doesn’t take the typical route of the “damsel” by rushing to her “dark prince.” Instead she takes a step back and lets Stefan know she’s still dealing with the loss of her parents. Naturally, this doesn’t stop Stefan from making an effort, but it’s a relief to see Elena act level headed about her relationship.

Paul Wesley really owns the role of Stefan, and the chemistry he has with Nina Dobrev in this episode is enough to make even the snarkiest critic secretly root for them. Damon’s part in the episode, however, is a bit of a toss up. Somerhalder’s take on the more puckish, sarcastic side of his character is a bit inconsistent. At times he’s spot on, like during the rooftop scene where Damon taunts Stefan by taking hold of Vicki and accusing his brother of “eating bunnies” for strength. Other times he seems almost a little over the top when he is at the boarding house flirting with Elena. It’s all slightly too unrestrained, and he needs to pull back a little. This isn’t to suggest Somerhalder is without his own appeal, he certainly has the acting chops to take on the devious Damon. The issue really comes from his strong onscreen charisma. He doesn’t need to do much to make a point. All it takes is just one sideways grin, threatening tone, or intent glare to speak volumes.

The best scene where this works is during his confrontation with Stefan informing him that the only time they’re closest to humanity is when they’re ripping someone’s throat out. Another other highlight takes place at the counter at what appears to be the coffee shop. In this scene Damon is alone, and Vicki seems to recognize him. She insists she knows him, and he responds without any pretense that it is “unfortunate” for her. It begs the question as to whether Damon perhaps feels as burdened with his existence as Stefan. Again, it’s the little details Somerhalder injects into his role as Damon which stand out.

If the pilot set the premise, then “Night of the Comet” gives us tone for the series by showing there is more to love than just the pretty undead. “The Vampire Diaries” has a lot of characters that are not just likable but at times easily relatable. All in all, “Night of the Comet” is a pleasant surprise with a couple of small growing pains. However, if the trailer for the upcoming episode, “Friday Night Bites” promises anything, it will certainly pick up on the action.

“The Vampire Diaries” is on Thursday Night at 8 p.m. on The CW

No, we’re not talking about “Twilight” … this time.

Since then the buzz over the new “Vampire Diaries” series has exploded into a bit of a phenomenon, drawing comparisons to the mega-popular “Twilight” craze. Despite the similarities, “The Vampire Diaries” is not just a brooding love story as much as it is also a thriller at times — an element which adds to its appeal.

After months of anticipation fueled by countless online promotions and on billboards strewn everywhere, the series made its debut last week with incredible results. “The Vampire Diaries” surprised nearly everyone when its ratings resulted in a staggering 4.8+ million viewers on Thursday night, making it the highest rated series premiere ever for TheCW. With the talents of a production team consisting of Leslie Morgenstein (“Gossip Girl”), Bob Levy (“Gossip Girl”), Kevin Williamson (“Scream,” “Dawson’s Creek”) and Julie Plec (“Kyle XY”) the series proved itself golden on its first night.

And so it seems vampires and love stories won’t be unpopular any time soon. But to the show’s merit, it holds promise on going beyond a simple trend. This is clear when we see how the show treats the family relationships between the human characters. As long as “The Vampire Diaries” continues to focus on the relationships of its characters in a way viewers can relate, it will undoubtedly prove its staying power.

Tonight continues with another new episode, “Night of the Comet”, which deals with the aftermath of Damon Salvatore’s arrival — nicely portrayed by Ian Somerhalder — and the havoc he may cause in Mystic Falls.

Catch “The Vampire Diaries” every Thursday at 8 p.m. on The CW.

Sturgess said his motives for taking a role are not necessarily based on big or small budgets. It's all about good work. “I don't think it matters how big or small (the budget,) as long as it's a good script.” (Media credit/WireImage)

But a lot has happened between the days of singing “All You Need Is Love” to the gritty streets of Belfast where Sturgess returns as the lead in “Fifty Dead Men Walking,” a political drama inspired by true events and based on the life of IRA informant Martin McGartland.

The film directed by Kari Skogland takes a look into the conflicts within Northern Ireland during the 1980s, illustrating the lengths the IRA and British Intelligence ventured in seizing control. Meanwhile Sturgess captivates audiences with his intense performance as the conflicted Martin McGartland.

The actor spoke with Blast about his experience making the film as well as insight into what motivated him to pursue the role.

“I was completely pulled into the story,” Sturgess said. “I wasn’t sure whether this guy was going to die or not. Then I found out this is based on a real person, and it made it that more compelling.” The man he portrays, Martin McGartland, continues to be a source of controversy — a fact of which he is well aware. “And the thing about the character, you know, for some he’s a hero, and to others he’s the lowest of the low. I mean, he’s this real person who isn’t out to save the planet or anything,” he said. “He’s not even sure if he’s doing the right thing or not.”

Sturgess said spending time in Belfast helped him prep for the role. “I was really fortunate to spend a lot of time in the city where it takes place, talk to ex-IRA members, and Special Crimes. It helped a lot in developing the role.”

The film’s major catalyst occurs when Martin is caught by the police for selling stolen items, which begs the question whether Sturgess himself ever went through his own youthful rebellion. “Well, I did some naughty things, didn’t pay attention in school sometimes, stuff like that,” he said, “but nothing enough to get recruited for the IRA.” He laughed at the thought of it, and it’s this sort of candid response where you can’t help but see how he can charm an audience.

Sturgess said his motives for taking a role are not necessarily based on big or small budgets. It’s all about good work. “I don’t think it matters how big or small (the budget,) as long as it’s a good script.”

When asked who he would love to work with in the future both again or for the very first time, he said, “That’s hard to answer, there’s so many people, I can’t really pick some. I’d love to work with Kari (Skogland) again. Then there are people like Tilda Swinton and Daniel Day-Lewis, people like that.”

Certainly, he can also add “Dead Men” co-star Ben Kingsley to the list. “At first when I met him, I was nervous — kind of felt like I was shaking in my boots, you know? It was really great to work with him. He’s the best,” Sturgess said.

Sturgess said he doesn’t pay much mind to buzz, reviews and awards gossip. “I can’t really think of it. You work hard, and try to do the best. If it happens, okay, but I don’t really think about it,” he said.

But don’t let nonchalance fool you. The busy actor continues to work good and hard despite his current schedule, “It’s chaotic, but it’s a good kind of chaos,” he said. Sturgess’ next major project is the horror film, “Heartless” which co-stars Harry Potter alumni Clémence Poésy (Fleur Delacour) and Timothy Spall (Peter Pettigrew).

While there are those who will never fully understand the significance of Les Paul, the contributions he has made to the world of music will never be forgotten. Born in 1915, he was known to his family as Lester William Polsfuss, the son of a Jewish-Prussian family in Wisconsin. Although his parents divorced while he was young, music seemed to find a way into his life. The first instrument to catch his attention was the harmonica at the age of eight years old then later the guitar which he mastered within a short time.

It was in the area of music Les Paul found his calling not only as a musician but an inventor. Unhappy with the limits of acoustic guitars furnished during his time, he managed a way to enhance the sound in a variation of the guitar called, “The Log”. Although very simplistic in design, what Les Paul achieved was the early beginnings of the electric guitar. Yet despite other similar musical inventors around such as Adolph Rickenbacher, and Leo Fender whose rework on the guitar also are invaluable, it was Les Paul’s model of “The Log” that really created a solid body for the electric guitar.

In 1938 Les Paul brought together a group of other musicians and created The Les Paul Trio. This union seemed destined as it not only allowed Mr.Paul the opportunity to showcase his music; it also served as a way for other musicians to benefit from his talents. Through his years with the band, and other side projects, he was able to perform alongside the likes of Nat King Cole and Bing Crosby.

Then later on in his life, Les Paul struck gold again when his experiments in music production hit a high note as he began refining the process of recording songs. He applied what is called a multi-layer recording — a method that allowed him to record any or different instruments separately then places them all together in layers.

From the remodeled frame of an acoustic guitar to the innovations of recording a song, there is no doubt how much Les Paul loved music. It takes great passion mixed with genius to develop the kinds of methods and styles to an instrument the way he managed within a lifetime. And although many may not have known too much about Les Paul, the legacy of his work lives on in the music for generations who dare to rock out.

While most children raised by the book recall fondly the adventures of Max through the jungles of the “wild things,” others remember it for its heated controversy over the disposition placed upon parents as incompetent to the “animal” behavior of the Max character. But despite all the ruckus the book managed to survive the scandal and earn the love of children everywhere who dared to go “Where the Wild Things Are.”

This week, latest trailer for the film go public, and once again it illustrates only a sample of what will certainly prove to gain critical acclaim. According to Maurice Sendak, himself, in the behind-the-scenes footage, the film will be as controversial as the books. From the material provided it is clear there will be a contrast between the world of him imaginings and the real world full of complex issues; issues including the relationships Max’s mother has with other men to the way Max copes with the confusion by biting people.

Based upon how Jonze has depicted his somewhat unconventional protagonists in his films like “Being John Malkovich” where the main character Craig Schwartz deals with his dismal life. Jonze is able to extrapolate the whole internal psychosis by projecting it with the legendary actor John Malkovich. The film is simply more than a story about a man’s escape, it’s more of a reflection on the way individuals cope with certain stages of their lives such as married life or work.

The importance in looking at Jonze’s work as any sort of indicator for “Where the Wild Things Are” will allow audiences to gain a sense of where the story will dictate itself. Certainly, one of the main important factors of Maurice Sendak’s work is the significance of deep emotions from early childhood such as depression or anger issues. Before the book, the image of childhood was very two dimensional as often the image of maturity was left to characters such as Tom Sawyer or Huckleberry Finn. Children were never in the right, and the adults were always the authorities.

What Jonze seems to convey in the limited amount of footage is that same sort of depth riddled throughout “Where the Wild Things Are.” It is likely we will see the strains of Max’s relationship with his mother in a more discerning light. It is likely we will watch the world of Max’s imagination shatter or merge with his bitter reality. And whether one has read the book or not, this film will prove to be one of those surprising and insightful films that will get people talking this fall.

Although one shouldn’t count any proverbial chickens before they hatch, Spike Jonze’s “Where the Wild Things Are” is worth the bet! And lastly, a deserving nod should be given to Max Records, whose shared name with the main character of Max, will steal audiences attention as he gives a memorable performance.

Born in Lansing, Michigan as John Hughes Jr., his early life wasn’t out of the ordinary. His mother worked on a series of charitable groups while his father supported the family as a salesman. Yet, it wouldn’t be until the family relocated to Northbrook, Illinois where he would find inspiration and soon base the landscape of his future films around it.

Though Mr. Hughes was far from his teenage years when his most notable works “National Lampoon Vacation,” “Pretty in Pink,” “The Breakfast Club” and “Ferris Bueller’s Day Off” hit theaters in the 80s. He managed to tap into the intrinsic and poignant moments within one’s own adolescence. He brought to screen iconic moments from a group of high school kids dodging their principle in “The Breakfast Club” to a couple of teens creating a real-life dream girl in “Weird Science.” All the while making stars out of actors such as Molly Ringwald, Matthew Broderick, Jon Cryer and Anthony Michael Hall.

Mr. Hughes gave a rare interview to AFI (American Film Institute) in 1985 where he discussed his films. In reference to his then-latest success, “Sixteen Candles,” he made the point to explain, “Now I get hit a lot of times for having sentimental endings, and I do that deliberately … and with that film everything came just right, and that has a lot to do with the fact that when you are that age, you want things to come out right … and they never do … so I choose not to, and at some part I depart from reality, and say this is what I would want to feel at the end of the day. Life doesn’t always, movies can.”

And perhaps that is what made his films so memorable — the fantasy and escape for someone to play hooky from school and embark on a memorable adventure, or the idea that four very different classes of people from four different cliques could actually form a connection on some level.

Despite his somewhat less visible stamp in current cinema, some may have noticed his penned name Edmond Dantes as story writer for such films as “Drillbit Taylor” or “Maid in Manhattan.” And even then, there are classic Hughes endings to make audiences smile: situated stories that for an odd hour or so provide a window of escape from the day.

So while children of the 80s grieve the loss of another pop icon, many will undoubtedly remember how John Hughes managed to achieve what many people in the entertainment industry value: immortality. His films will continue to live on in late night DVD marathons and on the lips of many who quote the works from memory.

In the memorable words of Ferris Bueller, “Life moves pretty fast. You don’t stop and look around once in a while, you could miss it.” And many would agree John Hughes made the best of it.

And while the frenzy for all things vampiric hasn’t slowed down, as witnessed by the legion of “Twilight” fans awaiting Stephenie Meyer’s second installation in her series, “New Moon,” it begs the question as to whether “The Vampire Diaries” will pander to the popular trend or pave its own way?

Blast spoke with the cast and producers about this dilemma recently. When asked about concerns from fans about its parallels between the books and its depiction onscreen? Producers Julie Plec, Kevin Williamson and Bob Levy were happy to clear some things up.

“Well, the thing is there are very big fans of the books,” Williamson said.

“There was this ongoing joke about Damon and oranges on (a fansite) and I thought I had missed something in the books. So, I went back and tried to re-read everything because I didn’t want [fans] to think I hadn’t gone through it,” Plec added “So, that site posted it up, and I thought, ‘Perfect! Now at some point we can have Damon with an orange in a scene!’ So it’s just a little nod towards fans.”

Certainly one of the series’ strengths will be the books, themselves, which provide a strong enough platform to make television translation fairly easy. Anyone who has read them will notice that, while the obvious alterations have been made — as casting the heroine, Elena Gilbert, with a brunette actress instead of a blond — the context of the characters are very close to the books despite a few bumps. In fact, the whole debate about hair color is absurd when one realizes how wonderful Nina Dobrev is as the lead. She makes the character likable and interesting as opposed to the mean girl type Elena is in the books. For some this may be a good thing or a bad thing — along the same lines as defining whether Blair Waldorf is necessarily bad or good.

And for clarification, due to all the ruckus about blond versus brunette, Elena could have any colored hair as long as it bore the stark resemblance to a particular character. It’s supposed to have a deja-vu effect and serves nothing more than a plot device in the books. And insofar as romance aspect of the series.

“It’s really about the love story between these two characters (Elena and Stefan),” said Levy. On the possibility of the series getting darker: “I think this is a case where Kevin (Williamson) is at his best. He balances both aspects great. Overall, we will be focused on the relationships between the characters (and) blend them with the plot.”

For those curious as to whether we can expect Elena to do some action scenes like her leading men seen in recent promos: “You know, I’ve been asking that question too!” Nina Dobrev told Blast. “I’ve been asking the writers, ‘When will I get to jump off a roof too?’ You know I grew up with an older brother and played every sport imaginable. So yeah, I would like to do some action scenes. There are some things I can’t talk about but if you read the books, you’ll know it’ll surprise you. So not right now, but eventually.”

Paul Wesley may have gotten some of the action fighting, but so far he doesn’t necessarily have a favorite scene. “It’s a scene that hasn’t happened,” he revealed, “but when Elena eventually finds out Stefan is a vampire … when they get to that point, for me, that’ll be my favorite part because it’s such a big moment for them, because he truly loves this girl.”

There is something to be said for that comment considering the character he portrays, Stefan Salvatore, wears his heart on his sleeve, but his brother Damon is another story. “He controls life. Life doesn’t control him … except sometimes it stops, and makes him work a little bit harder,” said Ian Somerhalder who plays Damon.

On the traits of playing a more villainous character as Damon Salvatore: “It’s all about perspective, isn’t? It’s fun getting to play him. I mean Damon has an immense amount of strengths. He has mind manipulation powers, and can make you think whatever you want? How cool is that? But when that doesn’t work, it throws him off a bit. So the thing about about Stefan is he loses the love of his life, and there’s this vendetta for (more than one hundred years). I promise him an eternity of misery.” He added the last part with a grin, perhaps unintentionally.

“The Vampire Diaries” is not a series for all demographics. It’s catered toward a particular niche. That niche of viewers tuning to the series will be either of the nerdcore, whose love for vamps and the books know no bounds, or those looking for a weekly escape preceding the successful cult series, “Supernatural.”

The show needs time to grow outside of the shadow of “Twilight,” which has saturated the media beyond the popularity of the books and into the personal lives of the actors themselves.

“The Vampire Diaries” is set for Sept. 10 at 8 p.m. on The CW.

With the stars and its producers at day three of Comic-Con International, Blast sat in and discussed
“Fringe’s” upcoming season and characters. The panel included J.H. Wyman, writers Robert Orci and Alex Kurtzman and followed by cast members Joshua Jackson, Jasika Nicole, John Noble, and Anna Torv.

The second season of “Fringe” has already been plotted out by the, Wyman said.

“Peter (Bishop) is going to learn a lot about his existence, who he is,” Wyman said. “We have many things we have that we want to bank out here as a character, and then actually make him the hero he needs and wants to become.”

Wyman explained the fate of Peter (Joshua Jackson) who ended the season with a cliffhanger, leaving fans wondering about his identity. “There are many things beyond the ideas of aliens,” Wyman responded to the “no alien” stance from the show’s writers.

“The keys in the character and what is happening with the show and how it’s different than last year, is that we’re actually looking at the first season as a prologue,” Wyman said.

The basic theme of science, it’s catastrophic and uncontrollable nature, is the angle the show has taken and molded since it started last year. What makes it interesting is finding the show is developing its own groove.

“You’re really going to fall in love, this year we work with Walter’s emancipation,” Wyman said. “Peter is going to start to come into his own, and develop in an internal way … it’s really all delicious.”

The series tries to transcend science and be a show about people, building on the back stories of the characters. The writers described Peter and Olivia’s (Anna Torv) relationship as a “brother and sister” pairing.

There are no current plans to develop any romantic storylines between the characters at the moment, which in many ways is a godsend. What makes “Fringe” one of the most successful pilots is its focus on adding drama with the occasional humorous banter. Family also plays a pivotal role especially between Peter and his formally estranged father.

Joshua Jackson gave his views on the relationship between father and son: “There’s always this state of play,” he said. “The big reveal in the end of the season will inevitably lead to break up, until that break up we’ll see them getting closer and closer.”

The strength of “Fringe” is its ability to explore uncharted realms of science, bring them to life, and through it provide a mirror to the world and lives of its characters.

“Fringe” airs at 9 p.m. Thursday nights on Fox.

Ian Somerhalder told Blast that he will be back as Boone Carlyle for the final season of “Lost.”

“I was literally 20 minutes ago talking with (”Lost” Executive Producer) Carlton Cues. Uh, yes. I will back,” Somerhalder said.

When asked about the number of episodes he’ll be in, Ian Somerhalder said, “That I don’t know… I’ll be back as much as I can.”

Keep in mind this may have been a major slip, because he hasn’t slept in pretty much two days, but there you have it.

The major high points of the panel included:

• Jorge Garcia was one of the first to line up to ask questions to the panel and what started as a humorous tug and war of words turned to excitement as Michael Emerson made a surprising entrance from among the crowd.
• Michael Emerson and Jorge Garcia joked about their roles on the show when Jorge informs the room Emerson originally auditioned for the role of Hurley instead of Benjamin Linus. Just at that moment, the producers announced the footage of Emerson’s “audition” spouting Hurley’s lines from the pilot season.
• In Memorandum, it was a bittersweet ending as the hall lights dimmed and flashes of “deceased” characters faded in and out to the music of Boys II Men.
• Charlie Returns! And wait, there’s Sawyer! Another set of special guests include Josh Holloway who got into the character of Sawyer without a hitch before the crowded hall. Finally, after the memorandum completed its course, the lights of the hall rose and to the surprise of the audience Dominic Monaghan came on stage. He was eagerly met with a standing ovation followed by the gathering of the panel.

The spoiler portion of the article follows.

• The return of Elizabeth Mitchell as Juliet, and Jeremy Davies as Dr. Faraday.
• Will Faraday be happily married? This question asked by a fan was responded by a statement from the producers, “In theory if Jack’s plan succeeds then Faraday would have a happy family. But Faraday will be back for the final season.”
• Richard Alpert’s storyline has been implied to be a part of the major storyline for the last season. Also there will be flashbacks which reveal his backstory.

This is a breaking news update. Stick with Blast for more on this story!

The film takes place in New Orleans, where our heroine Tiana encounters the unfortunate Prince Naveen, who magically transformed into a frog after being tricked by Dr. Facilier, a voodoo magician. In an attempt to cure his curse he must kiss a princess and believes he finds it with the smart and clever Tiana. Unfortunately for her, the spell backfires and she too turns into a frog. The rest of the film is a journey as Tiana and Prince Naveen search together for the remedy to their problem.

What also makes “The Princess and the Frog” special is the fact this is the first pure 2D animation Disney has produced since “Home on the Range” — almost 5 years ago. At the helm of the film directing are John Musker and Ron Clements, who made such classics as “The Great Mouse Detective,” “The Little Mermaid” and “Aladdin.”

The duo gathered for a panel at the Comic-Con International this year to talk more about the film.

“We knew several things going into this project: We wanted to have it take place in New Orleans, and we wanted her to be Africian American,” Clements said as he answered questions about the film’s portrayal of the character Mama Odie — a 200-year-old voodoo priestess — with a thick Louisiana accent, which some critics claim is a caricature of African Americans. Musker and Clements had based the film according to their experiences living in New Orleans doing research, they said. They said the film captures the spirit of the city, rather than marginalizing its culture or characters.

“We didn’t think people would take it that way.” Musker said.

The soundtrack will include original works by Randy Newman, who is a native of New Orleans. During the main panel where attendees got a sneak peek of a musical number, it is clear Disney hasn’t lost its touch with grand musical acts. In this case it is Prince Naveen who foolishly takes the advice of a swindler in order to find a prosperous wife. There are brilliant colors in mardi gras palettes: purples, greens, and yellows. Shadows creep against a wall and assist the swindler, Dr. Facilier, into his chair. If one could envision a mesh between Ariel’s transformation scene with Ursula in “The Little Mermaid” added with a dash of “Beauty & The Beast,” it would be a fair representation.

“The Princess and the Frog” arrives in theaters December 11.

It was easy for Max Records to win the audience over, after he said he wrote down his speech on his hand.

The book originally caused an uproar when released in 1963 for its demonstration of rage being a part of children’s nature and growth. Some religious groups perceived the central character “Max” as depicting humans as animals — Darwinism. But readers fell in love with the book, which received the Caldecott Medal given by the American Library Association for the most distinguished American picture book for children.

Decades later, this book has settled comfortably into the role of beloved children’s classic. Now it’s up to Jonze, who appeared in a behind-the-scenes feature at this year’s Comic-Con International, to use his creativity to put “Where the Wild Things Are” on film.

In the convention featurette, Jonze demonstrates how the film was made and how he first got Sendak’s blessing to proceed with the production.

Jonze made it clear he did not want to produce a film which would tarnish the vision and scope of the classic. Audiences are also given a look into the life of Sendak.

The “Where the Wild Things Are” panel also featured a guest appearance of the actor who plays Max, the aptly named Max Record.

“This is the first time I have ever been to one of these things,” Records said at the panel, “so I wrote down what I wanted to say on my hand.” The audience immediately became smitten by the shy yet undaunted actor as a series of clips and the movie’s official trailer were played.

The film is first and foremost a surreal live action replica of the books. Jonze spared no creative or monetary expense in detailing the creatures’ costumes, as well as Max’s infamous pajamas. The scope of the production design is amazing, and it leaves one certain that, had this been made as an animated feature, it would surely be less impressive.

What makes this film such an amazing compliment to the literature is the immediate impression that the film will not candy-coat themes usually associated with coming of age films.

The film also stars Catherine Keener as Max’s mother who, through her brief scenes in the trailer, demonstrates the poignant moments as she tucks him in bed.

There is a poignant moment in one of the clips where Max explains “the death of the sun” to one of the creatures, much to the creature’s surprise. The exchange underlines the serious aspects of the film as Max shows his naivety toward the difference between being good and bad — how he is a biter and it got him in trouble. Records’ eyes and expression hanker back to another child star whose charisma pierced the screen with an immense vulnerability — the late River Phoenix, whose “Stand By Me” performance forever drew audiences to him.

“Where the Wild Things Are” is not going to easily be defined as a children’s film. In fact, it could easily be categorized as a PG-13 movie for its complex issues and themes. Fans of the books will love the translation, especially with Sendak’s approving nod and the way Jonze has used his own vision to bring this classic to the screen.

Miyazaki's attendance at Comic-Con meant attendees finally got to ask questions and gain insight into what inspires this gifted animator (Blast staff photo/Conception Allen)

When the news was made official that Miyazaki planned an appearance to promote the American release of the film “Ponyo,” (”Gake no ue no Ponyo”) fans of his films rejoiced all over the world. This also meant attendees would finally get to ask questions and gain insight into what inspires this gifted animator, whose beautiful sketches and storyboards have attracted the attention of Disney’s John Lasseter. Disney is producing and distributing the film worldwide.

Ponyo is a fantastic story full of magic and drama told through the view of Ponyo, a mermaid who leaves home and becomes marooned on shore without help until a young boy named Sosuke saves her. What gradually unravels is a love story full of lush imagery.

On Friday, audiences were greeted with an elaborate clip from the film which points to Miyazaki’s imaginative scope using color, movement and pace. In what is best described as a roaring undulant sea, shifting into shapes of large gigantic fish, a girl (named Ponyo) rides atop the crests effortlessly and freely. It is surreal, stark and beautiful. Alongside this image are a woman and child racing away from the threatening sea in a small vehicle. Audiences can feel the intensity as the waters tower and crash closely behind them.

It will be a memorable scene that American audiences will enjoy, especially when we hear it paired with the voice talents of Tina Fey, Liam Neeson, Frankie Jonas, Cate Blanchett and Betty White for the English version of the film.

Ponyo is a more traditional animated feature, not done in 3D or with computer graphics. When Lasseter was asked about the future of 2D and its relationship with rise of 3D animation, he said: “I’m always inspired by new technology. (We’re) the studio that completed the first animated film, and what I think is important is to let the filmmakers really understand the technology of what you can and can’t do with it.”

During the exclusive press round-table meeting, Blast asked Miyazaki about the nature elements in “Ponyo” and what else we’ll see in the film.

“The way nature and environment has been reflected in ‘Ponyo’ is that I thought Ponyo’s natural strength was connected to the sea and the ocean — the strength that the sea and ocean have,” Miyazaki said. “In many ways, if you look down deep, the strength of people is connected to nature and the depth of nature. And so, that is why when Ponyo comes to the land. She uses the strength of the sea to come. It’s not really a film that has environmental issues or ecological issues in it as much as the strength and the power of nature that I have conveyed.”

Miyazaki isn’t trying to make a statement about Global Warming or about the environment or politics. His film simply reminds us about the beauty of nature and the power of man’s own inner spirit — and that the two can be beautifully combined.

This combination of art, science, film and animation makes it fitting that Miyazaki has been given Comic-Con’s Ink Pot Award, one of the highest honors a guest can receive at this event.

Disney’s Lee Unkrich revealed little during a panel discussion. While most of the information is still a secret, he did allow audience members to find out about the new character to the franchise, Ken (Barbie’s counterpart) who will be voiced by Michael Keaton.

“We were not interested if it would have been simply an adventure on the road,” Unkrich elaborated on the motivations of this latest volume to the series in a round-table interview with Blast.

Unkrich elaborated that the film was personal to all involved and they wanted to create something worthwhile for audiences to enjoy as well as themselves.

“So much had past since the first film … all of us involved have had children, some of them have graduated,” he said.

And with the real passage of time, a new plot element unfolds.

Andy, the human boy character in the original film, is off to college in “Toy Story 3.”

This tidbit of information may be enough to offer fans an idea of how the film may go. With recent films such as “Up,” it is possible Disney may attempt to include more serious themes into its films.

As far as the technology, “Toy Story 3” is designed for a 3D audience. An exclusive clip of the film entertained audiences with visuals of Rex’s tail whipping around and the memorable little alien toys grasping their cute fingers outside the screen toward the audience. The clip even began with Buzz Lightyear walking into frame as if coming out from the corner of the screen and into the forefront.

Finally, while the third flick is far off, “Toy Story” and “Toy Story 2″ are currently being configured for 3D as well — illustrating Disney’s continued dedication to the format.

Definitely, there is something definitely worth seeing for fans new and old. The original “Tron” took audiences into virtual world as its main character Kevin Flynn (Jeff Bridges), a hacker and computer programmer, becomes digitized and trapped into a computer program of his creation. “Tron Legacy” promises to provide the same amount of action and innovating technology without losing the classic look and style.

Scenes screened for viewers at Comic-Con’s first ever 3D panel reveals more intense chase scenes and special effects. The premise for “Tron Legacy” takes the story to a new generation where Flynn’s son (Garrett Hedlund) takes measures to find his father. Also in the film is “House” star Olivia Wilde, whose character remains a secret.

At the press screening for the much anticipated film, director Joseph Kosinski, writer Steven Lisberger and cast member Jeff Bridges revealed more, even delving into the music behind the film, which will be headlined by French band Daft Punk.

“I think that cyberspace and that technology will continue to evolve,” said writer Steven Lisberger. “I think now is the right time for this film.”

This film will definitely build upon the strengths of the original, combined with the amazing capabilities of modern technology. Also at the panel, images and scenes from the film were displayed for fans, revealing the original and remodeled versions of the Tron Light Cycles.

As far as the vision and the context of the film, Lisberger revealed the movie will definitely explore the intermediary time between 1982 and 2010.

“For those unfamiliar with the Tron universe, this will be a standalone film. This film will take place in 2010 with the mystery of what happened in 1982 and 2010,” Kosiniki said.

“Tron Legacy” promises to give audiences a glimpse of the classic in a brave new world, and judging by the reception of its fans during the preview panel, this modern classic lives on.

Despite a similar premise to “Twilight,” about forbidden love and vampires, there isn’t too much “The Vampire Diaries” shares with it. The show is based on a series of young adult novels by LJ Smith, and while the show isn’t 100 percent true to the books, the literary fans will find that the spirit of the story remains intact and the transition to the television medium works well.

The pilot starts with an atmosphere of urgency. It’s classic Williamson with an isolated stretch of road, a couple and swift violence. Williamson grabs the audience’s attention immediately without being overindulgent.

As the stage is set with a “monster” on the loose we are introduced to Elena Gilbert (up-and-comer Nina Dobrev), a girl whose sudden loss of her parents leaves her life in chaos. Meanwhile, making matters worse is her younger brother, Jeremy, whose self-destructive behavior doesn’t help matters.

Nina Dobrev arrives at Liv Nightclub at the Fontainbleau Miami Beach on June 12 for The Vampire Diaries Kick Off Party

Elena meets the new guy in school, Stefan Salvatore (Paul Welsey) whose mesmerizing abilities prove he is not just another high school student. He is in fact, a vampire.

Just when it appears Stefan and Elena are getting closer, another attack takes place. From here, the story picks up at an exciting pace. Stefan is greeted by his brother, Damon (a charismatic Ian Somerhalder). It is clear with the first deadlock stare they share a rocky history. As Damon taunts Stephan by staking a claim on Elena, the brothers begin what is one of the best moments of the episode. The set up for the fight, the witty dialogue and the context of their relationship makes this a worthwhile storyline.

Overall, the pilot for “The Vampire Diaries” is a great start for the series. Audiences will love the hints of humor thrown into the mix of drama, Sommerhalder’s delicious bad boy taunts and the formulaic love story. Dobrev and Wesley are refreshing as their chemistry onscreen intensifies with each added scene. The only stark contrast is the narration of the diary entries which comes across as awkward at times. The atmosphere for the series is balanced, and the collaboration between talent and production are not over the top. There is a focus on keeping up the suspense until the final scenes.

“The Vampire Diaries” drew several cheers even from fans who were skeptical about a “Twilight” reboot. Each scene element demonstrates why this will certainly be the perfect show to take over the coveted slot formerly belonging to “Smallville”. If attendees for Comic-Con get a chance, for the Saturday showing of “The Vampire Diaries”? It’s worth the watch!

Watch the new preview clip of a battle between the stitched-punks and their “winged-beast” adversaries.

Larger version:

The origins of the franchise come from the brilliant mind of its creator, J.K. Rowling, whose novels hit shelves a decade and a half ago.

So perhaps it is fitting that as the world draws near the final installments of the series — “Harry Potter and the Half-Blood Prince” and “Harry Potter and the Deathly Hollows” — that Rowling has recently allowed the world a window into her life.

“A Year in the Life of J.K. Rowling” is a documentary set to air tonight at 8 on ABC. It’s hosted by news anchor Elizabeth Vargas.

Blast recently had the opportunity to speak with Vargas about the documentary.

BLAST: ABC will be showing the documentary “A Year in the Life of J.K. Rowling.” Most people with such high profile lives tend to be protective of their privacy. Why do you think she chose now to let people into her “world?”

ELIZABETH VARGAS: You know, it’s a good question because she is notoriously private. She rarely gives interviews at all, and when she does it’s almost always about her books as opposed to herself. And in this hour she talks very candidly about her writing process: where she was when she first came up with Harry and all the characters in Hogwarts; how difficult her life was, and how debilitating the depression she was suffering … she was very candid about it.

BLAST: What were your expectations in the interview?

EV: I was struck by something she had said … that when she was divorced, very poor, and had a daughter two or three years old, she said, “Every morning I would wake up terrified that something had happened to her. She was the only good thing in my life and everything had gone so horribly.” So I was struck by that. She really used her depression to even formulate one of the characters in the books. The Dementors are a physical manifestation of it. And Harry, Harry is Joanne (Rowling). Harry has the same birthday as (her). She felt orphaned, too, when her mother died of multiple sclerosis, and she was distanced from her dad too.

BLAST: With the current film in theaters, we know fans will be wondering if she will continue with the series, or what will be next for her. Harry Potter will be hard to top.

EV: She doesn’t really need to ever really write again with her commercial success. I think her biggest impact is getting a whole generation to read — read these big heavy books and not just one of them but seven of them. She even states she was impressed by Harry Potter adult (fans) in groups who raise money for victims in Darfur, for example. She has said she’s working on smaller books and that there will be no more Harry Potter books. She even admitted recently that if she were to write another Harry Potter book it wouldn’t be about Harry per se — it’ll be about another character.

BLAST: It always seems that writing is her passion, and that she has this rag to riches story. It makes you wonder how fame has been for her. One would imagine it’s a double edged sword.

EV: She actually wrote her first stories as a child. She actually grew up near a forest. She would wander and dream up all these stories. She’s gone from a single mother who has gone from having to pay her own rent to being a billionaire, so obviously she’s changed. I think people will find her highly relate-able. She’s not wearing flashy jewelry or clothing. She seems really down to earth. She seems like one of the moms I’d see at one of my sons’ schools.

BLAST: What was it like for you to look into her life? She’s always been this cathartic sort of writer.

EV: One of my favorite interviews I have ever done in my career — I know I’ve gotten to interview a lot of powerful people from all over the world — is an interview with John Berendt, who wrote “Midnight in the Garden of Good and Evil;” Sebastian Junger, who wrote “A Perfect Storm;” and Frank McCourt, who wrote “Angela’s Ashes.” I interviewed the three of them together for a half an hour because they all had bestsellers on the New York Times Best Seller list. And I find authors fascinating! They are such interesting people. And so to sit in front of a blank screen or a blank sheet of people and create something from nothing is amazing. And (Rowling) created one heck of a something, and to realize it did come from a large part of her life is something. I found it deeply powerful that she says, to this day, that she never forgets how hard her life was (before the success).

BLAST: It’ll definitely be interesting for audiences to get a glimpse into her life. As you’ve said this is a lot darker compared to how she portrays some of her storylines in her books.

EV: It’s definitely not just a rerun of clips from Harry Potter. I hope kids will find this interesting, including older kids who just know the books. I think parents will find it interesting because it’s really a story about a person who couldn’t get any lower (in their life), and then finds the story to write these books. I mean she’s incredibly philanthropic and very charitable. So she gives a lot of this back, largely because she remembers how it was (to be impoverished) and that many are in that same place.

“A Year in the Life of J.K. Rowling” airs July 16 at 8 p.m. on ABC.

Malden, who also spent a career on television in a series called, “The Streets of San Francisco,” served as the president of The Academy of Motion Picture Arts and Sciences (read: The Academy Awards) between the years 1989-1992.

We’re working up our obituary.

The cheerful and down-to-earth actress is just one of several stars on “Aaron Stone,” the first original series for the newly branded channel DisneyXD which began on February.

Surprisingly, Gunadi remains humble even though she’s become more popular since the debut of the show. And despite the bevy of young Hollywood starlets, whose self-entitled attitudes or bad behavior exploits land them tabloid covers, Gunadi doesn’t take herself too seriously when it comes to the fame game. In fact, she has no qualms speaking candidly about her appreciation towards people she’s worked with past or present.

Originally born in Indonesia, Tania Gunadi received her first brush with Lady Luck when she was only about 16 years old. Gunadi had won the lottery — a green card lottery — and because of it was able to join her family overseas in southern California.

Blast caught up with the actress, and listened to her tackle subjects about roller coasters, hand to hand combat, bunnies, and boba tea!

BLAST: First of all, thank you for chatting with us! I know you must have a busy schedule.

TANIA GUNADI: Oh, it’s no problem! I have been doing interviews this week. But then I have to prepare to go back to work in a couple of days for the second season of “Aaron Stone” in Toronto.

BLAST: The second season? I noticed the listing for new episodes will air on June 22nd. The most recent episode aired was the future episode about Stan.

TG: Hmm… see, I’m not so sure how the seasons are like broken down. We already shot the first 22 episodes. So for us, when we start shooting soon, it’s like season two.

BLAST: I see, maybe it’s because the channel and the series started during the mid-season. Because most networks begin in the fall shows are more continuous in that way.

TG: Hmmm… You know what? Maybe you’re right.

BLAST: Either way, it sounds exciting!

TG: You know everyone [on the show] is great! We have so much fun.

BLAST: Before we get into more details about your current work on DisneyXD’s “Aaron Stone,” let’s talk more about you. It’s really cool that you can say you won the lottery.

TG: Right? (laughs)

BLAST: You were just around 16 when it happened, so what was the experience like for you, coming here to the States?

TG: When I first arrived to Los Angeles, I was beside myself. I thought, “Oh my gosh, there’s really a place like this!” Like, I couldn’t believe it. I love Indonesia, don’t get me wrong, but it was new for me…the people I met here [California], they are so nice, and helpful, and I got to see this thing called, you know, “the freeway”!

But then, you know, I didn’t speak very good English. My brother, who came here before me, he hooked me up with a job, because I brought only $200 in money, I thought that was a lot of money. And then I realized really, really quickly that that was not a lot… and I’m thinking, “What’s going on here?” and he said, “Well, you know, you have to work.”

So, my brother, he hooked me up with a job in Pizza Hut. We couldn’t work in the same place because we’re family, but he recommended me to another one. I worked there for two years. It’s also where I learned my English, and I got complaints from customers like you would never believe, because in Indonesia we don’t really eat pizza like the way they do here. And they’re ordering these things and I’m like, “You… want… what? Meat? Cheese?” (laughs) It was really cute.

Soon, I got from where I was at when they hired me, which was answering phones, and in two weeks, they demoted me to cleaning the bathrooms. I was so sad. But then I made some friends and they helped me out a lot. And I was promoted back up, slowly, I’d say about a month and a half later. I went from being the cook, to the phones again, and finally the cashier.

BLAST: Well you really worked hard to earn your place, and that’s really cool. Now, as far as acting, was it something that always interested you? How did you get involved in it?

TG: For me, I grew up in Indonesia, being able to get here; I won a green card lottery. I didn’t even know or understand acting… I didn’t have a wanting for it because I wasn’t exposed to the art world, you know? Then one day at school, a friend of mine, she said, “You know, you have so much energy, you should audition for this Disneyland commercial.” And I’m like, “Oh I don’t know.” I didn’t understand what the audition would be like; I had never done one before. She said, “it’s really easy, you don’t have to worry about English or stuff. You just have to scream like you’re in a rollercoaster,” and I was like, “Oh… okay.”

So I drove my first Hollywood trip and they loved me and I booked the job. And that day they cast about 12 people. The lead was this couple, but after 17 times being on the rollercoaster they got sick and threw up. Slowly but surely, everyone else got sick except for me. I was so happy because I never rode on a rollercoaster before. I was “Whoa!” and then “Woo!” The director loved it, and wanted me to be the lead in the commercial! And I ended up doing it, and I booked two more jobs after it. It was the first time I earned a substantial amount of money from it! I felt like, “Yes! This is it!”

BLAST: You seem so grounded as a person, where do you feel that comes from? Would you say it’s from family and friends?

TG: I think for me, I just appreciate this [opportunity]. I think a positive trait I have is that I don’t always do what I’m told… there are so many people out there who give you their opinions and advice. They’ll sometimes say you dream too big or maybe you shouldn’t do that… they’re just concerned for you. But sometimes you got to do it. I mean, I love my life. And sure I’ve gotten rejected in auditions many times. I don’t focus on that; I focus on the jobs I got booked.

BLAST: People recognize you for your role on “Aaron Stone” but you’ve done a lot of work before it. There’s a guest role you did on the series, “It’s Always Sunny in Philadelphia” where you shared scenes with Danny Devito. What was it like working with him?

TG: Oh my god, that was awesome. First of all, he’s so amazingly nice and professional! You know there was this one scene where I was singing, and I was about to get sprayed with this giant [amount of] water. His character is supposed to come in and save me. Even when it wasn’t his close up, and the director said they didn’t really need him for my close up. He said, “No. No. I want it.” He gave it 100 percent. I mean, he got sprayed with the water so many times, I felt so bad. I was like, “I hope you don’t get sick!” I love that show, “It’s Always Sunny in Philadelphia.”

You know, for six months before it, I didn’t book a gig. It was the longest time I had been without work. When I auditioned for the part, and was in the room with the other actors reading for it, they were worried because the assignment sheet asked for someone 18 to play 12. At first I thought it was impossible. Then the other side of me thought, no, everything is possible. Let’s think about it! There’s a reason they want 18 to play 12, and I can play 18 to 16. It’s only a couple years difference. And my acting coach is always teaching me that you have to focus on the things that work for you. So your attention has to be on the good stuff, and then only good stuff will happen for you. And it really works.

BLAST: Now that you’ve gotten further along in your career, what captures your attention when it comes to roles you consider? Do you prefer drama or the light-hearted stuff? What makes you most comfortable?

TG: You know, I don’t have a preference. But usually when my friends have been asked that question they generally know what they like and don’t like. For me, usually when I get a script, I read the whole thing. I check with my feelings, and think about how it makes me feel, happy or sad. Does it make me want to be a better person? Or am I learning more about life? I would like to do work where people can see it, and you know, feel inspired by it.

BLAST: And you’ve come a long way.

TG: You know when I first started, my English wasn’t very good. I spoke well, and understood things, but for me it wasn’t enough. My goal was to start out by doing student films from no lines to a lead role. Then once I got the lead, I would look for an agent. It took me 40 student films later until I got a lead, and even better it was in an independent film. I got an agent later that week.

BLAST: Speaking of inspiration, you worked on the film “The Magic of Ordinary Days,” a romantic-drama that includes the topic of internment camps back in the 40s for Japanese Americans.

TG: That is the first role of mine where I have no accent. The casting director loved me at first but because of my accent it didn’t work with the character that is born and raised here. So I took accent reduction classes, and auditioned until I had it like 100 percent. I researched the most for this film, about five to six weeks every day. I signed up with the Japanese Museum in LA, watched all the movies about the internment camp, the outfits worn [at the time], the way they spoke back then, the relationships within the family -– father, mother, and kids. I even visited with survivors from the internment camps at convalescent homes.

BLAST: It really must have been a changing moment for you, working so dedicatedly. And not to mention, you got to work with Keri Russell, an amazing actress.

TG: I was so nervous working with her at first because I couldn’t believe it. I had seen her work, you know? She is so professional and great! It’s easy working with her because she’s so talented, and wonderful on the set. I hope we can work together again.

BLAST: Right now, you’re listed as being in the upcoming film “Possession” which stars Trent Ford and Autumn Reeser. There’s not too many details about the character you play, and how often you’re in it.

TG: We shot it about, I think, two years ago. I play a receptionist, and I share two scenes with Trent. Originally it was supposed to be a voice-over role. I can’t take the credit for this, but a friend of mine helped me with the audition to make my performance kind of radical. They liked it, and I found out they wrote it so I could be in the film.

BLAST: Your work is so eclectic, but if you had your choice of a dream cast? Who would be on the list? Which actors would you like to do projects with?

TG: Outside of Disney family and in general… gosh. You know, no one has asked me that question before. This is great! My favorite movie is “Notting Hill,” and I love its story. So, okay, I would love to be in a movie with Kate Winslet, Leonardo DiCaprio, Hugh Grant, Julia Roberts and James McAvoy.

BLAST: That’s a movie cast people would line up to see!

TG: Also, I have always wanted to do a period piece like the eighteen hundreds. It would be fun.

BLAST: Alright, so now that weve gotten an idea about your dream cast, let’s talk about “Aaron Stone.”

TG: Yay!

BLAST: Online gaming is a big part of the show. Did you play games before you landed the role?

TG: I like to play Guitar Hero with my family and friends. And there’s Rock Band where sometimes I’ll sing or play the drums. I can actually — really — play the drums.

BLAST: For those who may know nothing about Emma Lau, how would you describe her?

TG: Basically, my character leads a double life. She’s the girl next door and like any other teenager. But when she comes home she designs and creates the weapons that help Aaron Stone save the world. I’m the one in charge of making new gadgets, and upgrades for him. There’s a one called The Party Crasher that allows you to spy on people. When they create the props, they make it so it actually has my voice come up. It’s so cool. I love all the gadgets except for this thing called The Electro-Depletor which kills all electronic devices around you. But that one isn’t real.

BLAST: And of course, what’s it like working with the cast?

TG: You know, I’ll be honest, they are all so awesome. We all get along and work together so well! We know our lines, and goof around while on set. I work mostly in scenes with Kelly [Blatz] who plays Aaron Stone. But I’ve been getting to work more with JP [Stan], since our characters and Aaron Stone work for the same person. JP is fun, and David Lambert [Jason], David is so funny, and nice. I can’t believe he’s only 14.

BLAST: There are a lot action sequences on the show, and you’ve done quite a lot in recent episodes.

TG: You know, Kelly and I we had to train two weeks before we started filming because we do a lot of staged combat. Stage combat is a lot different than regular kickboxing and all because you want to make every move exaggerated, so when you punch, you want to punch all the way to look good on camera. And Kelly, man, you know I just love him because you know you want to trust the person you’re working with when you do fighting scenes.

BLAST: Of course, because knocking someone out would be an odd way to start a friendship.

TG: Yes, exactly. I mean you don’t want to get hit. I love that we train together because we work with one of the best in martial artists, Koichi [Sakamoto]. I mean he basically trains everyone. I believe one of the perks of Aaron Stone. Now, I feel like I’ve gotten better because before I was scared. He would tell me, “Now, Tania, for this week, we want you to be able to jump that table. Then you’ll get hit, and fall onto the floor. Then you’ll run up to the couch. And then you’re going to jump, and fall into this thing, and then somebody is going to hit you.” And I’m like, “Okay, you mean you want me to jump on that particular table?” But it was really fun in the beginning because we learned how to fall properly.

Also, Kelly was there and we helped each other through it. In the beginning, we had bruises and everything. But later on the set, it’s important to have a good relationship with your cast because you have to trust them. For example, in one scene Aaron and Emma are fighting these ninjas and Kelly has to turn me slightly like upside down so I can do a kick. And I have to trust him fully, 100 percent. I mean he’s so dedicated at work, even though in between takes we goof around, talk, you know, make chit-chat. But then once the camera starts rolling everyone is on top of their game.

BLAST: I always enjoy watching scenes between Emma and Charlie. The first scene I caught of them, she invited him to join her for boba tea. Later in the episode he forgets about it. I mean, who ditches the chance to go grab some boba drink?

TG: Right? (laughs) I’m addicted to it. The entire cast and crew, nobody knew about boba before it. I’m like, it’s boba tea, I drink it all the time. There’s one episode where we were shooting the scene when I got stood up by Aaron Stone [Charlie], after asking him out on a date, not a date date but to go get boba? That was about a block away from my apartment in Toronto, and that’s exactly where we got the boba drink [in that scene], where we shot it.

BLAST: So is there anything more we can expect as far as their relationship since the ‘Boba Incident’? Maybe something romantic? I mean their characters are already close, but now they work for the same cause.

TG: Okay, there are two secrets I can say without giving out too much. There are two short kissing scenes, just one or two seconds. One of them is mine. The other is Kelly. BUT it may not be between them. It may be other people!

BLAST: Oh, wow, how scandalous! I’ll have to set my DVR.

TG: Scandalous DisneyXD! I know, when I read the script I was surprised!

BLAST: Well this is going to be a fun season! Alright, so before we let you go, a lot of people may not know you’re an advocate for humane treatment of animals.

TG: Yes, I love all kinds of animals. I have two cats at home [California] named Lucy and Ricky after my favorite TV show, I Love Lucy. It’s always sad for me when I have to leave them and start shooting the show in Canada. Fortunately, there’s a great place in Toronto, Abandoned Cat Rescue, where I foster cats. Cats, they’re so wonderful, they give you unconditional love and when you come home they’re just ready for you.

BLAST: And when you’re in California, what are some of the organizations or groups you support? I understand often shelters and centers sometimes are understaffed. I’m sure people would like know about what they can do or where to go.

TG: Well thank you, there are several places actually. There’s LA Animal Services, where at the humane center I look after the bunnies because they don’t get as much attention from visitors like with the dogs or cats. There’s a Society for Rabbits that I like here in LA, I also, whenever I get a chance, spend time at St. Martin’s Rescue where they save pit bulls and other dogs.

BLAST: So that about wraps it up, and I’m sure people –- myself included –- will be excited at the next installment of “Aaron Stone!”

TG: This has been fun! Can’t wait to talk with you guys again!

“Aaron Stone” airs on Monday nights 9/8c with all new episodes scheduled for June 22nd on the cable network DisneyXD.

What is known is the fate of his children. In a statement to the Associated Press, Mr. Jackson’s mother, Katherine, was granted temporary guardianship of the three Jackson children by Los Angeles Superior Court Judge Mitchell Beckloff earlier this morning. This action is the first step by the Jackson family in order to secure the stability of the youngsters. An official determination of the guardian status will be held later in the summer on August 3.

The division of Mr. Jackson’s property and finances are most likely headed for probate unless an official will is presented soon. Probate is a legal process for heirs like Jackson’s children to obtain the title to the properties entitled to them by law. Without a specified will it shall be the court’s judgment as to how everything will be settled, not the wishes of the departed. The first consideration will be for his children and immediate family. Yet this complicates things further as Mr. Jackson’s mounting debts are suspected to be in the approximate range of $400 million dollars.

There are many details in need of resolution where Jackson’s finances are concerned currently. Despite the recent sale of The Neverland Ranch and its items, which were auctioned out, the high-end lifestyle of the icon continued to eat away at his bank account, especially with his last residence which cost $100,000 per month. The recent explosive sellout of Mr. Jackson’s discography may just change everything. While ticket sellers for Jackson’s now defunct British concert tour are assuring buyers proper refunds, all other merchandising of the icon remains at an all time high. Again, who stands to inherit the bulk? Since the news of Katherine Jackson’s guardianship of her grandchildren, members of the Associated Press recently noted the Jackson Matriarch has also filed to serve as an administrator of Michael Jackson’s estate to secure his three children future entitlements. So whatever benefits remain from clearing current debts will go towards the children. Deborah Rowe, the mother to two of Mr.Jackson’s children, has not disputed any course of actions thus far.

The pop star’s investments are famous, such as the partial ownership of The Beatles musical catalog which is at an estimate worth of almost half a billion dollars, and another investment of Mr. Jackson includes shares of Sony which is also valued at a high figures as well. Yet what seems like a windfall of money becomes shadowed by the immense costs for lawyers fees and settlements which Mr. Jackson made several years ago during his child molestation trial. While the singer has been acquitted of all charges the firestorm of attacks to his image cost the singer a slump in sales, and seclusion.

However, the current status of his brand name and sales generates a comeback not seen since the 80s during his “Thriller” days. The comeback which Mr. Jackson sought for the summer has manifested in a different way. It seems though his death, the unanswered questions to the controversies of his life, Mr. Jackson will become financially as much of a brand as Elvis, Marilyn Monroe, and James Dean.

“Dr. Murray has never prescribed nor administered Demerol to Michael Jackson,” Chernoff said. He also reveals that Murray discovered a faint pulse after finding Jackson’s body. As to whether Murray mishandled the treatment is uncertain. We are awaiting the results of a second autopsy.

The question remains, what triggered the cardiac arrest?

A master artist, Travalena became known throughout his field as “The Man of a Thousand Faces.” He entered Las Vegas in 1971 and has sported impressions of people from Frank Sinatra to Jack Nicholson for more than three decades.

This is yet another entertainment personality to have passed away this week. Incidentally, he made brief appearances on The Tonight Show with host Johnny Carson in the early 80s. Mr. Travalena was 66.

Mr. Mays’ wife found him unresponsive Sunday morning.

“My dad didn’t wake up this morning.. I’m sure you’ll all hear about it. It hasn’t yet hit me but it’s about to,” said his son, Billy Mays III via his Twitter account. “He’s gone. I’m gonna be strong for him. Thank you for all the thoughts and prayers everyone.”

Mr. Mays is the famous television product spokesman who became so well-known that Discovery Channel created a reality series around his work.

His death is under investigation, but authorities have said it does not appear to be suspicious. An autopsy is scheduled for this week.

According to Tampa’s Bay News 9, Mr. Mays was on US Airways Flight 1241 from Philadelphia to Tampa on Saturday when the flight took a hard landing after the front landing gear blew. No one was reported injured in the flight, but Mays did tell the station that he hit his head.

Mays’ wife, Deborah, said the family was not going to make a public statement and asked everyone to respect their privacy.

The television salesman-turned-star is the latest household-name death to hit the news after the deaths of Ed McMahon, Farrah Fawcett, and Michael Jackson in the past two weeks. Mr. Mays was less renowned than the previous three, but he was as well known as many famous entertainers for his bevy of television commercials and the reality show.

On the afternoon of June 25, music icon Michael Jackson’s heart suddenly stopped at his Hollywood home. Paramedics and doctors could not revive him. The media competition began. Gossip website TMZ.com reported it first, and soon ABC and NBC were quoting the celebrity gossip site as if it were CNN or BBC —  as if it were a colleague. CNN confirmed it last, but the news was true all the same. The King of Pop was gone forever. Michael Joseph Jackson, age 50.

Fans responded quickly.

A swarm gathered at UCLA Medical Center with pictures of his face and shirts with his name.

As news of his death sent shock waves the world still mourned the passing of Farrah Fawcett, who lost her battle with cancer, and Ed McMahon, whose combination of medical illnesses took his life several days ago. Three icons in a matter of less than a week, and in its wake the public still grapples to cope with it. Yet it was Mr. Jackson’s death which proved to overwhelm the public.

Jackson once revealed in a televised interview that the most honest song he has ever written, the song he feels people should examine when it comes to him, is “Childhood” from the album HIStory. The first verse of the song reveals a poignant fact, “no one understands me.”

And in the aftermath of his sudden death, questions still abound in attempts to understand how this King of Pop, the artist who enamored fans with his dancing and music, could have fallen from grace so tragically.

Although we may never know the truth to the molestation charges pressed against him, the scandal was detrimental enough and made a lasting impression. Mr. Jackson lost credibility among many fans and friends as his antics grew increasingly questionable — from wearing pajamas while on trial or jumping on the roof of his car before onlookers outside the courthouse.

What does remain is a prolific body of work which has inspired generations of musicians, artists and actors.

The beginnings of Michael Jackson, as one of seven musically gifted children, hail from Gary, Indiana. At age five, Mr. Jackson began to reveal his flair for singing during school recitals and eventually became a part of his father’s dream team later known as The Jackson 5. Michael quickly became the most adored brother, captivating audiences as the years went by and fame grew quickly.

After a momentous meeting with legends Barry Gordy, Smokey Robinson, and Diana Ross, it appeared that Mr. Jackson and his brothers were on their way to being stars with hits like “ABC,” “I Want You Back” and “I’ll Be There.”

The price of fame eventually came at a cost. Unlike most children his age, Mr. Jackson’s catapult toward the limelight cheated him from normal childhood experiences — a factor that would become a recurring theme in his music and life.

Where most child stars fall into the shadows of entertainment history, Mr. Jackson developed into a man and flourished. And it appeared, with the success of his solo project “Off the Wall,” that he might do well after all, but no one could have predicted what would happen in 1982.

Thriller, a compilation of songs that fused his R&B roots with rock and pop, forever bridged the gap between rock and soul. The diverse tracks and addictive melodies pushed the album to record heights. It remains the top selling album of all time. Added to the appeal of his music was the timing of another trend: MTV. Jackson saw the potential in using music videos and was one of the first to use it heavily to promote his work. The apex of this phenomenon came with the featurette video of “Thriller,” an homage to classic horror films, in which Jackson incorporated his own style, music and choreography.

This also marked a period of Michael Jackson’s change in appearance. Mr. Jackson, who was rumored to have undergone excessive plastic surgery, suffered from a debilitating skin disorder called Vitiligo which causes one’s skin pigmentation to become patchy in appearance. This would be the first in a string of social dissections of his eccentricities. Even though his life was often plagued by public scrutiny, the popularity of his music throughout the course of the 80s never faltered, as legions of fans copied his moves and style as “The Gloved One.”

In the end, while most people permanently decided to love, admire, or loathe Michael Jackson, it was the media that truly had the mood swings. There’s no doubt he was often the center of attention by tabloids and the press — a fickle beast that one moment adored him and the next shut him down.

But the boy from Indiana, whose humble beginnings rooted in a band of brothers, who captivated the world in the 1960s, is gone. And the performer who showed us how to moonwalk, dance the Thriller, and ask the tender question, “Who’s Lovin’ You?” is long gone. And so, too, is the eccentric, increasingly insular celebrity. The legend of Michael Jackson will never be forgotten.

John M. Guilfoil and Brooklynne Peters of the Blast staff and Blast correspondent Ashley Dean contributed to this report.

Jackson was 50 years old.

TMZ.com first reported that the pop superstar, with 13 top hits in his storied career, died. Mainstream media followed about a half hour later.

Los Angeles Fire Department Captain Steve Ruda told KTLA News that paramedics responded to a 911 call at Jackson’s home around 12:26 p.m., and he was not breathing when he arrived.

A Los Angeles police detective confirmed for reporters that Mr. Jackson was brought to UCLA Medical Center at about 1 p.m. and pronounced dead around 2:30 p.m. The Los Angeles County Coroner’s Office is investigating to determine cause of death. The LAPD Robbery/Homicide Unit is also investigating, but the detective warned media to not “read into anything,” saying it was the high-profile nature of this death that triggered a police investigation.

The detective would not say if the death was suspicious.

CNN was one of the last major media outlets to confirm the singer’s death, but they did bring something new to the table. While TMZ reported that Mr. Jackson went into cardiac arrest and never recovered, a Los Angeles coroner said he went into cardiac arrest twice, indicating his heart may have restarted at some point.

“We were told that Michael Jackson was brought in by paramedics. He suffered two cardiac arrests and was later pronounced dead … there is no further medical history confirmed yet,” the coroner told CNN.

A cardiac arrest, which can happen during a heart attack, is the stoppage of blood circulation after the sudden stoppage of the heart contracting. Cardiac arrest stops the flow of oxygenated blood — and thus oxygen — to the brain and other organs.

La Toya Jackson was seen running into the hospital sobbing.

The singer’s family is believed to be at the hospital, which has been blocked off by police.

Many in Hollywood have been quick to react sadly to the news.

“We will always remember Michael in our hearts as a true Apollo legend, known for his professionalism and grace,” said Jonelle Procope, president and CEO of The Apollo Theater Foundation, Inc. “Michael first performed at the Apollo in 1969 with his brothers when he was only nine years old, winning Amateur Night, and catapulting their career as the Jackson 5. Our sympathy goes out to his entire family. He will be deeply missed.”

“I am so very sad and confused … I am heartbroken for his children, who I know were everything to him,” said Lisa Marie Presley, Mr. Jackson’s ex-wife, in a statement. “This is such a massive loss on so many levels. Words fail me.”

“You cannot say enough about what he has given to us musically and culturally. We take for granted people like him … all he wanted to do was give us great music and that’s what he did. Every single day was dedicated to us,” Jamie Foxx told the TV show “Extra.” “I’ll tell you this. Seeing him in concert in 1983 … to watch people faint in the audience. Grown men fainting. Women fainting just because he was that dynamic … all you can say is that you hope we put our arms around his family. So much turmoil toward the end of his career … and I think that’s the only thing that you can really hope for is that there is finally peace to this whole situation.”

Mr. Jackson had been planning a comeback tour, with several concerts in London scheduled for July. Jackson’s 1982 Album, “Thriller,” won eight Grammy Awards and is the top selling album of all time.

“The King of Pop” recently underwent a series of physical tests and was working out with bodybuilder Lou Ferrigno to get in shape for the shows.

Mr. Jackson leaves three children: Michael Joseph Jackson, Jr., Paris Michael Katherine Jackson and Prince “Blanket” Michael Jackson II.

Blast’s Conception Allen is in the Los Angeles area gathering information. Stick with Blast for more as this story develops.

John M. Guilfoil of the Blast staff contributed to this report

Share your thoughts and memories about Michael Jackson in the comments section!

Ms. Fawcett’s death marked yet another sobering truth in a week full of sadness and tragedies. And while the world mourns another icon, one cannot help but celebrate the joy and vibrancy she delivered onscreen.

Fawcett lived the life few could ever expect, even by Hollywood standards. The Texas native began her career after photos in Cashbox magazine labeled her one of the most beautiful co-eds. An agent noticed her potential and convinced the young University of Texas Austin student to try her hand at Hollywood. This led to a series of small stints in, dental and hair product commercials.

Then came the breakthrough, and its name was Charlie. Famed producer Aaron Spelling had embarked on a new project called “Charlie’s Angels,” a series about a trio of glamorous detectives bent on righting society’s wrongs each week. The instant Fawcett portrayed Jill Munroe, the athletic angel, her notoriety shifted, almost overnight, to utter stardom.

With the fame came a frenzy of fans and press. Scores of women (and some men) emulated her beauty by sporting the feathered hair look. Meanwhile, a pin up of the vixen, with her radiant smile, come hither stare, and gorgeous layers of blond hair riled up many a boy and man alike to sleepless nights. Among those legions included a then unknown Brad Pitt, who has often said that he had her poster on his wall as a teenager. The world either wanted to be with her or look like her.

After her time spent as an “angel,” Fawcett’s popularity fell as the role that made her famous also worked to typecast her into a corner for many years. Fawcett would receive acclaims over the years, including a Golden Globe nomination for “Extremities,” in 1987. She was nominated for an Independent Spirit Award for her role opposite Robert Duvall in the 1997 film “The Apostle.”

The greatest gift Fawcett left the to world was in her final stages of cancer. Her struggle against the disease became a televised phenomenon as she welcomed viewers into the very real and scary facts about treatment and living with cancer.

When it comes to the making of entertainment icons, the one commonality shared across the board is the ability for that person to make an impact outside of their medium; an impact that becomes an inspiration to the world. Ms. Fawcett not only redefined the image of beauty, she also informed the world of the daily plights of cancer patients.

Ms. Fawcett is survived by her son, Redmond, and partner of more than 30 years Ryan O’Neil.

McMahon has survived decades in an industry that eats its own young. Yet it is no surprise that the Detroit born and Massachusetts raised entertainer made it far. The star not only had a unique ability to charm audiences on television with his humor, but his down to earth demeanor made him likable. Mr. McMahon’s appeal is definitive of an era driven less by sensationalism and more by wholesome images; a fantasy, untarnished by scandal.

He earned loyal friendships like that of Johnny Carson. At the end of the day with his famous pearly white smile, he never resorted to pretentiousness or snobbery — a stark contrast to the current trend where twittering and blog posts of hate toward celebrities and their bad behavior are all the rage. Mr. McMahon has lived scandal-free as a consummate television personality for decades.

For decades, Mr. McMahon entered homes late at night with the famous words “Heeeeeeeere’s Johnny!” the catch phrase announcement for his long-time friend Johnny Carson on “The Tonight Show.” The duo was not only an iconic fixture of television, but their rapport and sketches set the standard for late night television. Children of the 80s will also remember him fondly as the host of “Star Search,” in which a legion of current pop stars like Christina Aguilera and Usher made their debut.

It seemed Mr. McMahon’s name would always be associated with the industry of dreams. In recent news, he fell on hard times with the pending foreclosure of his estate after a serious injury. Fortunately, an undisclosed benefactor stepped into to help him.

Mr. McMahon had this to say about success: “Honesty is the single most important factor in having a direct bearing on the final success of an individual, corporation, or product.” And there is no greater proof as viewers all over still remember him as an honest, wholesome entertainer.

On Twitter and social networks, where celebrities are vilified and ridiculed, news of his death remains a top trending topic. And, fitting for his career, television stations all over memorialized him after his death.

In the end, Mr. McMahon was the good, honest guy whose persona was rooted in a warm smile and those infamous large-framed glasses. He will be much missed, and most certainly unforgotten.

Farewell, Ed McMahon. The stage you take tonight is among the best and most exclusive one; for it is one reserved for icons.